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~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me
cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me
cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me
cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me
cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me
cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me
cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me
cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me
cathedral of St Cyr, Nevers, before 860: inscribed with six elegiac lines recording the donation of the volume to the church of St. Cry by Herimann, bishop of Nevers (c. 841-859): 'Me quicumque legis Herimanni sis memor oro/ Cuius me
of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his
of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his
of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his
of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his