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Sheldonian, '1697', but 1698?), II, no. 6388.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix 70, no. 8.Charles
Sheldonian, '1697', but 1698?), II, no. 6388.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix 70, no. 8.Charles
Sheldonian, '1697', but 1698?), II, no. 6388.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix 70, no. 8.Charles
Sheldonian, '1697', but 1698?), II, no. 6388.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix 70, no. 8.Charles
Sheldonian, '1697', but 1698?), II, no. 6388.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix 70, no. 8.Charles
Sheldonian, '1697', but 1698?), II, no. 6388.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, appraised in 1678 by William Beveridge and William Jane, Royal Appendix 70, no. 8.Charles
Coloured initial 'D'(ominus) with display script. Includes the Liber scintillarum of Defensor of Ligugé (ff. 1-100v) and a series of extracts from Ecclesiasticus and Isidore, Sententiae, under the title 'Hic pauca incipiunt de vitiis et peccatis' (ff. 100v-106), with
Coloured initial 'D'(ominus) with display script, at the beginning of the Liber scintillarum. Includes the Liber scintillarum of Defensor of Ligugé (ff. 1-100v) and a series of extracts from Ecclesiasticus and Isidore, Sententiae, under the title 'Hic pauca incipiunt
of the prologue to John is a drawing of his evangelist symbol, the eagle. A later medieval reader has added John's name above the eagle's head: 'Ioh(ann)es'. Henry and Marsh-Micheli's Group IVA: 'Middle and Late Twelfth-Century Manuscripts from the North-East
the end of John. Henry and Marsh-Micheli's Group IVA: 'Middle and Late Twelfth-Century Manuscripts from the North-East of Ireland and Galloway with initials of the 'knotted wire' type. 2 full-page or nearly full-page symbols of the Evangelists in brown ink,
S. Guthlaci (incomplete); Ambrose, De obseruantia episcoporum, De misteriis, De sacramentis and De utilitate; John Diaconus, Vita S. Nicholai (prologue); Translatio S. Nicholai (1087 to Bari); John Diaconus, Vita S. Nicholai; Miracula S. Nicholai Large initial in red with penwork
S. Guthlaci (incomplete); Ambrose, De obseruantia episcoporum, De misteriis, De sacramentis and De utilitate; John Diaconus, Vita S. Nicholai (prologue); Translatio S. Nicholai (1087 to Bari); John Diaconus, Vita S. Nicholai; Miracula S. Nicholai Large initial in red with penwork
S. Guthlaci (incomplete); Ambrose, De obseruantia episcoporum, De misteriis, De sacramentis and De utilitate; John Diaconus, Vita S. Nicholai (prologue); Translatio S. Nicholai (1087 to Bari); John Diaconus, Vita S. Nicholai; Miracula S. Nicholai Large initial in red with penwork
S. Guthlaci (incomplete); Ambrose, De obseruantia episcoporum, De misteriis, De sacramentis and De utilitate; John Diaconus, Vita S. Nicholai (prologue); Translatio S. Nicholai (1087 to Bari); John Diaconus, Vita S. Nicholai; Miracula S. Nicholai Large initial in red with penwork
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
with the Virgin Mary and John the Evangelist, a full border inhabited by birds and flowers, and, in the lower margin, a jewelled cross in a subsidiary medallion. ff. [ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled
of a flaming mountain and a pelican in her piety (f. iii). (John Brough Taylor, F.S.A. (elected 1813), the editor of R. Hegge's Legend of St Cuthbert: inscription 'John Taylor, FSA' (f. i). Item 90 in an unidentified French sale
of Luke (f. 94). Large inhabited initial 'I'(n) in pen with interlace patterns and a dragon, at the beginning of John (f. 151v). Initials in red, highlighted with yellow and/or green (ff. 1, 5v-6, 7, 58v-60, 93, 94, 150-151v). Small
M. R. James, ~On the Abbey of S. Edmund at Bury~ (Cambridge: Cambridge Antiquarian Society, 1895), p. 58 no. 119. John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: listed in the 1609 catalogue of his
M. R. James, ~On the Abbey of S. Edmund at Bury~ (Cambridge: Cambridge Antiquarian Society, 1895), p. 58 no. 119. John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: listed in the 1609 catalogue of his