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of the Evangelist John, holding a book and a martyr's palm, standing on the back of his symbol, the eagle. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse
initial 'E'(seint) of the Evangelist John, holding a book and a martyr's palm, standing on the back of his symbol, the eagle. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and
Christ dictating to John. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff. 104-214v).According to Sandler, stylistically related to the
of Christ dictating to John. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff. 104-214v).According to Sandler, stylistically related to
written by John Stowe and others, including the Song of the Lady Bessy, concerning Princess Elizabeth, future wife of Henry VII (ff. 89-100), written by Humphrey Brereton, an extract from Lydgate's Life of Edmund and Fremund (f. 86v) John Stowe,
the beginning of the prologue to John. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D
principio), at the beginning of John. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I,
at the beginning of 1 John. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I,
at the beginning of 2 John. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I,
at the beginning of 3 John. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I,
Veteris Testamenti ex opusculis S. Gregorii, De institutis coenobiorum, Collationes The priory of St. Mary, Sempringham, co. Lincoln, given by John de Glynton, master of the Sempringham Order in 1332: originally with the inscription probably on the original cover, 'ex
sc[r]ipt[us] / p[er] manu[m] D[omini] Fulconis can[oni]ci p[ost]ea / p[r]ioris D[omino] Alexand[r]o de Weleue t[un]c Can/tore' (f. 1); noted by John Leland c. 1536-40 (see ~J. Lelandi antiquarii de rebus Britannicis Collectanea: Cum Thomæ Hearnii præfatione notis et indice ad
of Butterby, probably to be identified with Richard Lumley, 1st Viscount Lumley of Waterford (bap. 1589, d. 1661), to whom John Lumley had entailed the lands and castle of Lumley in 1607: inscribed 'Recheard Lumley of buterbe in the conte
of Butterby, probably to be identified with Richard Lumley, 1st Viscount Lumley of Waterford (bap. 1589, d. 1661), to whom John Lumley had entailed the lands and castle of Lumley in 1607: inscribed 'Recheard Lumley of buterbe in the conte
an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);
an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);
an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);
a miniature of John and representatives of churches. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or
a miniature of John, and the Son of Man between seven candlesticks. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the
a miniature of John writing, with an angel before him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary