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(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including
(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including
(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including
(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including
(or Florence), possibly by a foreigner, according to unpublished notes of A. C. de la Mare at the Bodleian Library.? John Shirwood (d. 1493), bishop of Durham, bought in London in 1464: inscribed '‘Liber [rest of line erased, perhaps including
Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration
Dante being examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large
watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence
d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer. The texts include: Contra gentes, De incarnatione verbi, De unitate substantiae deitatis dialogus, as well as a selection
c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the
c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the
chapel of St Giles near Brompton-on-Swale, but now belongs to the chantry of St Giles in the chapel of St John the Evangelist at Ravensworth castle. Musical notation, on four-line red staves (ff. 89-136). Including a calendar (ff. 4-9v), the
note on the contents, beginning 'Liber sancti edmundi in quo continentur', c. 1375 (f. 1).? Possibly notes of 'the librarian', John of Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159);
White vine initial 'Q'(uam) at the beginning of De officiis. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured
White vine initial 'Q'(uemadmodum) in colours at the beginning of the book. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v,
blue grounds. Prayer book: Psalter of Jerome, Psalter of Augustine, Hours of the Dead, Hours of the Trinity, Hours of John the Baptist, Suffrages, Prayer to the Holy Face Made for a woman: although some miniatures depict the owner as
Detail of illuminated initial. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31,
Detail of lower border. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31,
Detail of illuminated initial. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31,
Baptism of Christ by John the Baptist. The conclusions of each section of text are written in geometric shapes.Part of the 'Nicaea School', (see Carr 2005 p. 40).ff. 1* and 269 are paper leaves. 22 full-page or large miniatures in