• Historiated initial 'O'(iez) with baptism scene., Chronique des ducs de Normandie (index Chronicle of Normandy; Chronique de Normandie)

church of St. John of Beverley, Yorkshire, 15th century: inscribed 's[an]c[t]i Beverlaci' (f. 252).Added Prophecy of Merlin, 15th century, in English (ff. 249v-250). Added inscriptions in 15th-16th-century hands (ff. 251v-252). Thomas Lorde, 16th century: inscribed with his name (f. 252).Erased

• Decorated initial 'Q'(uant) with interlace and a winged dragon at the beginning of the text., Chronique des ducs de Normandie (index Chronicle of Normandy; Chronique de Normandie)

church of St. John of Beverley, Yorkshire, 15th century: inscribed 's[an]c[t]i Beverlaci' (f. 252).Added Prophecy of Merlin, 15th century, in English (ff. 249v-250). Added inscriptions in 15th-16th-century hands (ff. 251v-252). Thomas Lorde, 16th century: inscribed with his name (f. 252).Erased

• Historiated initial 'D'(ixisse) depicting a king (Pyrrhus of Epirus?) in armour on horseback, in Orosius's Historiarum adversum paganos, with eighteenth- century ink pagination by David Swan., Historia adversus paganos

2, both erased).John Langley, of Amies (d. 1709 or 1710) (see N. R. Ker, ‘The Migration of Manuscripts from the English Medieval Libraries’, reprinted in his collected articles: ~Books, Collectors, and Libraries: Studies in the Medieval Heritage~, ed. by Andrew

• Marginal drawing of an 'Elephant and Castle'; the adjacent text describes King Pyrrhus's battle elephants, with decorated initials 'A'(nno) and 'I'(psi) in Orosius's Historiarum adversum paganos, and eighteenth-century ink pagination by David Swan., Historia adversus paganos

2, both erased).John Langley, of Amies (d. 1709 or 1710) (see N. R. Ker, ‘The Migration of Manuscripts from the English Medieval Libraries’, reprinted in his collected articles: ~Books, Collectors, and Libraries: Studies in the Medieval Heritage~, ed. by Andrew

• Zoomorphic initial 'S'(ufficientia) in the form of a dragon, terminating in a bearded human head, in Orosius's Historiarum adversum paganos, with eighteenth-century ink pagination by David Swan., Historia adversus paganos

2, both erased).John Langley, of Amies (d. 1709 or 1710) (see N. R. Ker, ‘The Migration of Manuscripts from the English Medieval Libraries’, reprinted in his collected articles: ~Books, Collectors, and Libraries: Studies in the Medieval Heritage~, ed. by Andrew

• Decorated initial 'N'(eminem), in Orosius's Historiarum adversum paganos, and 18th-century ink pagination by David Swan., Historia adversus paganos

2, both erased).John Langley, of Amies (d. 1709 or 1710) (see N. R. Ker, ‘The Migration of Manuscripts from the English Medieval Libraries’, reprinted in his collected articles: ~Books, Collectors, and Libraries: Studies in the Medieval Heritage~, ed. by Andrew

• Historiated initial 'E'(xplicui), with a bishop and a tonsured monk offering him a book, in Orosius's Historiarum adversum paganos, and eighteenth-century ink pagination by David Swan., Historia adversus paganos

2, both erased).John Langley, of Amies (d. 1709 or 1710) (see N. R. Ker, ‘The Migration of Manuscripts from the English Medieval Libraries’, reprinted in his collected articles: ~Books, Collectors, and Libraries: Studies in the Medieval Heritage~, ed. by Andrew

• Historiated initial 'D'(ixit) of the Trinity, at the beginning of Psalm 109, and an illuminated initial 'D'(ixit) with a dragon, at the beginning of the commentary on Psalm 109., Psalter with the commentary of Peter Lombard

1698 catalogue of the library of St James's Palace (see ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697'), no. 7738).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. The Trinity England

• Historiated initial 'S'(alvum) of God and David in the water, at the beginning of Psalm 68, and a foliate initial 'S'(alvum) at the beginning of the commentary on Psalm 68., Psalter with the commentary of Peter Lombard

catalogue of the library of St James's Palace (see ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697'), no. 7738).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David and God England

• Historiated initial 'Q'(uid) of king David with a sword and another man, at the beginning of Psalm 51., Psalter with the commentary of Peter Lombard

the 1698 catalogue of the library of St James's Palace (see ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697'), no. 7738).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David England

• Historiated initial 'D'(ixi) of David pointing his mouth with the head of God above, at the beginning of Psalm 38, and a decorated initial 'D'(ixi) with an animal, at the beginning of the commentary on Psalm 38., Psalter with the commentary of Peter Lombard

of the library of St James's Palace (see ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697'), no. 7738).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David pointing his mouth England

• Foliate initial 'C'(um) with a dragon, at the beginning of the prologue., Psalter with the commentary of Peter Lombard

1698 catalogue of the library of St James's Palace (see ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697'), no. 7738).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Foliate initial England

• Historiated initial 'C'(antate) of three clerics singing, at the beginning of Psalm 97, and a foliate initial 'C'(antate) at the beginning of the commentary to Psalm 97., Psalter with the commentary of Peter Lombard

1698 catalogue of the library of St James's Palace (see ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697'), no. 7738).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Singing clerics England

• Historiated initial 'E'(xultate) of David playing the bells, at the beginning of Psalm 80, and a foliate initial 'E'(xultate) at the beginning of the commentary on Psalm 80., Psalter with the commentary of Peter Lombard

of the library of St James's Palace (see ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697'), no. 7738).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David playing the bells England

• Historiated initial 'D'(ominus) of God and David pointing his eyes, at the beginning of Psalm 26, and a foliate initial 'D'(ominus) with a dragon, at the beginning of the commentary on Psalm 26., Psalter with the commentary of Peter Lombard

of the library of St James's Palace (see ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697'), no. 7738).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David pointing his eyes England

• After readings for the Temporal, Sanctoral, and the Common of Saints are (in the lower right-hand corner) readings for the ordination of deacons, priests, and bishops: these ordinations would be performed by an archbishop, further evidence that this manuscript was written for use at Canterbury, not Dover., Bible, imperfect, with table of contents (ff. 1v-2), liturgical calendar (ff. 423-424), and sermon notes between the Old and New Testaments, (ff. 425-429v) and lections (f. 534r-v)

red and blue. Bible, imperfect, with table of contents (ff. 1v-2), liturgical calendar (ff. 423-424), and sermon notes between the Old and New Testaments, (ff. 425-429v) and lections (f. 534r-v) Edmund of Abingdon, Archbishop of Canterbury, who was canonised in

• The calendar is laid out with four months per page. The presence of the feast of the Dedication of St. Martin's Priory, Dover ('Dedicatio ecclesie sancti Martini de Dovor.', 19 October, lower left of folio) has previously been taken to suggest an origin there; but this entry is not written in red, and has no liturgical grading, suggesting that it was a minor feast., Bible, imperfect, with table of contents (ff. 1v-2), liturgical calendar (ff. 423-424), and sermon notes between the Old and New Testaments, (ff. 425-429v) and lections (f. 534r-v)

red and blue. Bible, imperfect, with table of contents (ff. 1v-2), liturgical calendar (ff. 423-424), and sermon notes between the Old and New Testaments, (ff. 425-429v) and lections (f. 534r-v) Edmund of Abingdon, Archbishop of Canterbury, who was canonised in

• Detail of a miniature of Troilus taking leave of Cressida, with Trojans at the gate behind., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

in the catalogue of 1666, Royal Appendix 71, f. 12.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Troilus John Lydgate, William Cornish, John Skelton, William Peeris London England, S. E. (London?)

• Detail of a miniature of Priam and his court mourning over the body of Hector., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

in the catalogue of 1666, Royal Appendix 71, f. 12.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Priam John Lydgate, William Cornish, John Skelton, William Peeris London England, S. E. (London?)

• Miniature of Troilus at battle; miniature of Troilus being slain by Achilles., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

in the catalogue of 1666, Royal Appendix 71, f. 12.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Troilus John Lydgate, William Cornish, John Skelton, William Peeris London England, S. E. (London?)