• Illuminated historiated initial 'S' at the beginning of II Peter, of Peter addressing a group of men and a youth, identified by his usual attribute, the large key in his hand; his audience may be the 'false teachers' and 'false prophets' mentioned at the beginning of chapter 2., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

not common in English Bibles before c.1240.Marginalia indicate that the text of this Bible has been compared to that of another.The large decorative extensions in the lower margins are of a type which are found in English manuscripts from about

• Illuminated historiated initial 'S's of Peter and John at the beginnings of II and III John. In the left-hand one John hands a book to Peter, below which are the children who are referred to several times in the short Epistle. In the right-hand initial Peter sits writing (his keys hanging from his wrist), instructed by John., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

not common in English Bibles before c.1240.Marginalia indicate that the text of this Bible has been compared to that of another.The large decorative extensions in the lower margins are of a type which are found in English manuscripts from about

• Illuminated historiated initial 'L' of the nine orders of angels; in the seven large roundels are the Fall of the Rebel Angels and the Creation, and the Trinity enthroned; and in the six smaller roundels are scenes of Adam and Eve, Noah's Ark, the Tower of Babel, and the Sacrifice of Isaac at the beginning of Genesis., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

not common in English Bibles before c.1240.Marginalia indicate that the text of this Bible has been compared to that of another.The large decorative extensions in the lower margins are of a type which are found in English manuscripts from about

• Illuminated historiated initial 'H' at the beginning of Exodus, with Moses (identified by his horns) parting the Red Sea (depicted a vertical blue and red wavy lines), in the upper margin is a pencil instruction indicating the opening words which had been deliberately omitted by the scribe, to be executed in gold by the artist., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

not common in English Bibles before c.1240.Marginalia indicate that the text of this Bible has been compared to that of another.The large decorative extensions in the lower margins are of a type which are found in English manuscripts from about

• Illuminated historiated initial 'P' at the beginning of Judges, perhaps representing Judah as a seated tonsured judge with crossed legs, one hand pointing, the other at his neck holding the cords of his cloak., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

not common in English Bibles before c.1240.Marginalia indicate that the text of this Bible has been compared to that of another.The large decorative extensions in the lower margins are of a type which are found in English manuscripts from about

• Illuminated historiated initial 'U' at the beginning of Job, of a naked Job holding a pot-shard, sitting on the dung-heap, visited by his three friends, as described in Job 2:8, 11, with the right hand of God emerging from heaven above Job's head., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

not common in English Bibles before c.1240.Marginalia indicate that the text of this Bible has been compared to that of another.The large decorative extensions in the lower margins are of a type which are found in English manuscripts from about

• Illuminated historiated initial 'C' probably of Jerome giving this letter prologue to the bishops Chromatius and Heliodorus, its recipients, and historiated initial 'P' of Solomon (depicted with a tonsure), holding a switch and teaching his son, Rehoboam, who reads from an open book, at the beginning of the prologue to and book of Proverbs., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

not common in English Bibles before c.1240.Marginalia indicate that the text of this Bible has been compared to that of another.The large decorative extensions in the lower margins are of a type which are found in English manuscripts from about

• Illuminated historiated initial 'A' of an apocryphal story added to the end of Daniel, in which Daniel is challenged by the king of Babylon to prove that a dragon, worshipped by many Babylonians as a god, is not a god. Daniel feeds a poison to the dragon, killing it, proving that it was mortal., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

not common in English Bibles before c.1240.Marginalia indicate that the text of this Bible has been compared to that of another.The large decorative extensions in the lower margins are of a type which are found in English manuscripts from about

• Illuminated historiated initial 'I' at the beginning of Zechariah, probably of a vision of two angels carrying an amphora containing a woman (Zechariah 5:9), with the woman interpreted as Christ (as indicated by his crossed halo)., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

not common in English Bibles before c.1240.Marginalia indicate that the text of this Bible has been compared to that of another.The large decorative extensions in the lower margins are of a type which are found in English manuscripts from about

• Illuminated historiated initial 'I'(n) at the beginning of John, of four separate scenes: John with the head of his evangelist symbol, the Eagle; John resting against Christ at the Last Supper; John presenting a woman (the woman taken in adultery, or the woman of Samaria?) to Christ; and the Marriage Feast at Cana., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

not common in English Bibles before c.1240.Marginalia indicate that the text of this Bible has been compared to that of another.The large decorative extensions in the lower margins are of a type which are found in English manuscripts from about

• Miniature of Juno, disguised as an old woman, giving poor advice to the young Semele, beloved of Jupiter, in 'L'Épître Othéa'., Various works (also known as 'The Book of the Queen'), including 'Cent balades' (ff. 4-21), 'Le Débat du livre des ii amans' (ff. 58v-71), 'Le Livre des iii jugements' (ff. 71v-81), 'L'Épître Othéa' (ff. 95-141v), 'Le Duc des vrais amants' (ff. 143- 177v), 'Le Livre du chemin de long estude' (ff. 178-219v), 'Le Livre de la pastoure' (ff. 221-236v), 'Le Livre des Épîtres sur le Roman de la rose' (ff. 237-254), 'La Cité des dames' (ff. 288v-374), etc.

disguised as an old woman, giving poor advice to the young Semele, beloved of Jupiter, in 'L'Épître Othéa'. In two volumes.Possibly with some passages in the hand of Christine de Pizan, or certainly produced under her supervision.Formerly bound as a

• Detail of a miniature of Juno, disguised as an old woman, giving poor advice to the young Semele, beloved of Jupiter, in 'L'Épître Othéa'., Various works (also known as 'The Book of the Queen'), including 'Cent balades' (ff. 4-21), 'Le Débat du livre des ii amans' (ff. 58v-71), 'Le Livre des iii jugements' (ff. 71v-81), 'L'Épître Othéa' (ff. 95-141v), 'Le Duc des vrais amants' (ff. 143- 177v), 'Le Livre du chemin de long estude' (ff. 178-219v), 'Le Livre de la pastoure' (ff. 221-236v), 'Le Livre des Épîtres sur le Roman de la rose' (ff. 237-254), 'La Cité des dames' (ff. 288v-374), etc.

of Juno, disguised as an old woman, giving poor advice to the young Semele, beloved of Jupiter, in 'L'Épître Othéa'. In two volumes.Possibly with some passages in the hand of Christine de Pizan, or certainly produced under her supervision.Formerly bound

• Decorated initials, line fillers, and a partial trompe l'oeil border with a bee., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

in the David Casley, ~A Catalogue of the Manuscripts of the King’s Library~ (London, 1734).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Foliate border Jean Bourdichon France, Central France, Central (Tours)

• Decorated initials, line fillers, and partial trompe l'oeil borders with flowers and a butterfly., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

included in the David Casley, ~A Catalogue of the Manuscripts of the King’s Library~ (London, 1734).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Flowers Jean Bourdichon France, Central France, Central (Tours)

• Decorated initials, line fillers, and a partial trompe l'oeil border of flowers., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

included in the David Casley, ~A Catalogue of the Manuscripts of the King’s Library~ (London, 1734).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Flowers Jean Bourdichon France, Central France, Central (Tours)

• Decorated initials, line fillers, and a partial trompe l'oeil border, with a butterfly and a ladybug., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

included in the David Casley, ~A Catalogue of the Manuscripts of the King’s Library~ (London, 1734).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Butterfly Jean Bourdichon France, Central France, Central (Tours)

• Detail of a miniature of Isis grafting trees, in 'L'Épître Othéa'., Various works (also known as 'The Book of the Queen'), including 'Cent balades' (ff. 4-21), 'Le Débat du livre des ii amans' (ff. 58v-71), 'Le Livre des iii jugements' (ff. 71v-81), 'L'Épître Othéa' (ff. 95-141v), 'Le Duc des vrais amants' (ff. 143- 177v), 'Le Livre du chemin de long estude' (ff. 178-219v), 'Le Livre de la pastoure' (ff. 221-236v), 'Le Livre des Épîtres sur le Roman de la rose' (ff. 237-254), 'La Cité des dames' (ff. 288v-374), etc.

Devonshire, on 24 December 1716. Certainly in the collection of Edward Harley by the time of his death in 1741: old Harley press-mark '128. C. 12' (f.1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b.

• Opening flyleaf with inscriptions., Various works (also known as 'The Book of the Queen'), including 'Cent balades' (ff. 4-21), 'Le Débat du livre des ii amans' (ff. 58v-71), 'Le Livre des iii jugements' (ff. 71v-81), 'L'Épître Othéa' (ff. 95-141v), 'Le Duc des vrais amants' (ff. 143- 177v), 'Le Livre du chemin de long estude' (ff. 178-219v), 'Le Livre de la pastoure' (ff. 221-236v), 'Le Livre des Épîtres sur le Roman de la rose' (ff. 237-254), 'La Cité des dames' (ff. 288v-374), etc.

Devonshire, on 24 December 1716. Certainly in the collection of Edward Harley by the time of his death in 1741: old Harley press-mark '128. C. 12' (f.1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b.

• Flyleaf verso., Various works (also known as 'The Book of the Queen'), including 'Cent balades' (ff. 4-21), 'Le Débat du livre des ii amans' (ff. 58v-71), 'Le Livre des iii jugements' (ff. 71v-81), 'L'Épître Othéa' (ff. 95-141v), 'Le Duc des vrais amants' (ff. 143- 177v), 'Le Livre du chemin de long estude' (ff. 178-219v), 'Le Livre de la pastoure' (ff. 221-236v), 'Le Livre des Épîtres sur le Roman de la rose' (ff. 237-254), 'La Cité des dames' (ff. 288v-374), etc.

Devonshire, on 24 December 1716. Certainly in the collection of Edward Harley by the time of his death in 1741: old Harley press-mark '128. C. 12' (f.1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b.

• Blank page., Various works (also known as 'The Book of the Queen'), including 'Cent balades' (ff. 4-21), 'Le Débat du livre des ii amans' (ff. 58v-71), 'Le Livre des iii jugements' (ff. 71v-81), 'L'Épître Othéa' (ff. 95-141v), 'Le Duc des vrais amants' (ff. 143- 177v), 'Le Livre du chemin de long estude' (ff. 178-219v), 'Le Livre de la pastoure' (ff. 221-236v), 'Le Livre des Épîtres sur le Roman de la rose' (ff. 237-254), 'La Cité des dames' (ff. 288v-374), etc.

Devonshire, on 24 December 1716. Certainly in the collection of Edward Harley by the time of his death in 1741: old Harley press-mark '128. C. 12' (f.1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b.