• Miniature of the defeat of Philip; miniature of the battle of Alexander and Pausanias; miniature of Alexander enthroned with Bucephalus under his feet., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Four part miniature of four friars before the Pope; Jean de Vignay translating the book; Jean de Vignay presenting his book to the king of France; friars aboard a ship., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Detail of a four part miniature of four friars before the Pope; Jean de Vignay translating the book; Jean de Vignay presenting his book to the king of France; friars aboard a ship., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Miniature of Pope Innocent IV sending a mission of Dominicans and Franciscans., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Detail of a miniature of Pope Innocent IV sending a mission of Dominicans and Franciscans., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Miniature of Alexander being lowered into the sea in a cask (a submarine)., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Three part miniature of the Emperor Baldwin with Nicholas and Maffeo Polo; the Polo brothers before the Patriarch; the Polo brothers sailing for the Black Sea., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Detail of a three part miniature of the Emperor Baldwin with Nicholas and Maffeo Polo; the Polo brothers before the Patriarch; the Polo brothers sailing for the Black Sea., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• null, Translation of Aristotle's Topica, with glosses

blue flourishing or blue with red flourishing (purple with red on f. 47). Paraphs alternately blue or red except in quires iv-v (ff. 37-60) where they are purple or red. Translation of Aristotle's Topica, with glosses Unidentified medieval owners: with

• null, Translation of Aristotle's Topica, with glosses

blue flourishing or blue with red flourishing (purple with red on f. 47). Paraphs alternately blue or red except in quires iv-v (ff. 37-60) where they are purple or red. Translation of Aristotle's Topica, with glosses Unidentified medieval owners: with

• Illuminated initial 'P'(ropositum) at the beginning of Boethius's translation of Aristotle's Topica., Translation of Aristotle's Topica, with glosses

blue flourishing or blue with red flourishing (purple with red on f. 47). Paraphs alternately blue or red except in quires iv-v (ff. 37-60) where they are purple or red. Translation of Aristotle's Topica, with glosses Unidentified medieval owners: with

• Flourished initial 'P'(ost) at the beginning of Book 8 of Boethius's translation of Aristotle's Topica., Translation of Aristotle's Topica, with glosses

blue flourishing or blue with red flourishing (purple with red on f. 47). Paraphs alternately blue or red except in quires iv-v (ff. 37-60) where they are purple or red. Translation of Aristotle's Topica, with glosses Unidentified medieval owners: with

• Historiated initial 'I'(n) with a doctor holding a urine flask., Canon medicinae

although there is apparently no gap in the text (quire 8+1, ff. 79-87v, the last leaf added).The last quires by another scribe, illuminated with small initials in plain red (ff. 218-243v).ff. 1v-2v contains a medieval table of contents.f. 246 is

• Decorated initial 'C' with a fox in a monk's habit., Canon medicinae

although there is apparently no gap in the text (quire 8+1, ff. 79-87v, the last leaf added).The last quires by another scribe, illuminated with small initials in plain red (ff. 218-243v).ff. 1v-2v contains a medieval table of contents.f. 246 is

• Decorated initials and full bar border with quatrefoils, a few acanthus leaves, small red masks, and foliate decoration at the beginning of the vigil of the Ascension., Breviary (Temporal), Use of Sarum, imperfect

initials in blue or red enclosing foliate motifs on gold ground with foliate decoration extending into the margins (only in quires 'x' (ff. 65-72v), 'three dots' (ff. 97-104v) and the following one (ff. 105-112v)), or combined with bar borders ending

• Large puzzle initial 'Q'(uia) with pen-flourishing at the beginning of book 35 of Gregory the Great's Moralia in Job., Moralia in Job

of book 35 of Gregory the Great's Moralia in Job. Quires are marked "correctus" in lower margin of the last leaf near the gutter (see e.g. ff. 125v, 137v, 149v, 161v, 173v, 185v, 197v, 207v, 219v, 231v, 243v, 255v, 267v,

• Text page., Genesis, Exodus, Leviticus, Numbers and Deuteronomy, glossed; imperfect

page. All quires have been thoroughly corrected and marked 'correctus' in lower margin of the last leaf, near the fore-edge (see, e.g., ff. 12v, 24v, 48v or 60v). One or more leaves lost before f. 1, including the beginning of

• Historiated initial 'F'([rat]res) of Christ addressing his disciples at the beginning of the text., Lectionary

1), the Adoration of the Magi (f. 35)). Initials in gold with blue an/ord red pen-flourishing, replaced for a few quires by initials in gold on a blue and red ground, with a yellow outer frame (ff. 49-72v only). Smaller

• Decorated initials with pen-flourishing at the beginning of the text., Summa de vitiis et virtutibus (index Summa virtutum)

aid in the lower margin of f. 3 stating the number of quires. Original foliation in Arabic numerals the lower margin.Catchwords written horizontally.f. 1* is a parchment flyleaf. Puzzle initials in red and blue with pen-flourishing in the same colours

• Puzzle initial 'Q'(uedam) with pen-flourishing at the beginning of the text., De animalibus

43, 44, and part of f. 65 has been excised.Inscription at the end stating the number of folios and quires (f. 65).ff. 1* and 66 are former pastedowns. Puzzle initials in red and blue with pen-flourishing in both colours extending