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of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and
blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from a Gradual Margaret of York (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c.
blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from a Gradual Margaret of York (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c.
blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from a Gradual Margaret of York (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c.
blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from a Gradual Margaret of York (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c.
by Prowess and Boldness, with a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the margin. The manuscript also contains: Christine de Pisan, Lepistre Othea (ff. 295-331v);Alain Chartier, Le breviaire
with a full border containing the arms of Edward VI and four lozenges with a white rose of the York family, and a Yorkist badge 'Dieu et mon droit', at the beginning of book 2. The manuscript also contains: Christine
rubric, 'L'acteur parle icy de soy et de ses dix naguers', a lozenge bearing a white rose of the York family, with the Yorkist badge 'Dieu et mon droit' in the margin. The manuscript also contains: Christine de Pisan, Lepistre
border containing the arms of Edward IV and four lozenges with a white rose of the York family, and the Yorkist badge 'Dieu et mon droit', at the beginning of book 4. The manuscript also contains: Christine de Pisan, Lepistre
lozenge with a white rose of the York family, and a Yorkist badge 'Dieu et mon droit'. The manuscript also contains: Christine de Pisan, Lepistre Othea (ff. 295-331v);Alain Chartier, Le breviaire des nobles (ff. 332-335v); Les complaintes des IX malheureux
full border containing the arms of Edward IV and three lozenges with a white rose of the York family, and the Yorkist badge 'Dieu et mon droit', at the beginning of book 3. The manuscript also contains: Christine de Pisan,
hardement se partirent et alerent devers les sept dames'; with a lozenge bearing a white rose of the York family, with a Yorkist badge 'Dieu et mon droit' in the margin. The manuscript also contains: Christine de Pisan, Lepistre Othea
proesse et hardement se partirent et alerent devers les sept dames'; with a lozenge bearing a white rose of the York family, with a Yorkist badge 'Dieu et mon droit' in the margin. The manuscript also contains: Christine de Pisan,
parle icy de soy et de ses dix naguers', a lozenge bearing a white rose of the York family, with a Yorkist badge 'Dieu et mon droit' in the margin. The manuscript also contains: Christine de Pisan, Lepistre Othea (ff.
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,