Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton: his MS. 45 (see f. 1); title and note in his hand (ff. 2*r-v'; see Watson 1966).Sir Simonds D’Ewes (d. 1722), 3rd baronet and grandson
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159); early 15th-century inscription 'Johannes Bury' (f. 1 and f. iii (the back cover)), . ? Sir Nicholas Bacon, the Lord Keeper: Redgrave
drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23, 26, 28,
ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23, 26,
drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23, 26, 28,
small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23,
be then golde'. Numerous large and small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v,
colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,
colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,
colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,
colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,
colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,
colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,
colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,
colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
partial border in blue, red, white and gold at the beginning of parts, the second with an animal head (ff. 1, 54). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue.
3 3-sided foliate borders in gold and colours with large initials in colours on gold grounds (ff. 3, 6v, 7). 1 large initial in colours on gold grounds with gold sprays (f. 3v). 2 large initials in brown with penwork
3 3-sided foliate borders in gold and colours with large initials in colours on gold grounds (ff. 3, 6v, 7). 1 large initial in colours on gold grounds with gold sprays (f. 3v). 2 large initials in brown with penwork