• Ink diagram of the Nativity., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Genealogical diagram, ink drawing of sword and decorated initial C., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Ink drawing of a castle., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Ink drawing of coat of arms of Henry II with 3 lions passant gardant, crest and lion crowned and of crown and sceptre., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Initials with pen-flourishing, in Bartolus de Saxoferrato's Super tribus libris postremis codicis Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Initials with pen-flourishing, in Bartolus de Saxoferrato's Super tribus libris postremis codicis Justiniani. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He

• Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He added

• Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He added

• Detail of a historiated initial with a portrait of a famous man, at the beginning of his biography., Lives

collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text page., Lives

collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Decorated initial 'P'(eripoltas)., Lives

collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Historiated initial 'L'(ucii), with a portrait of Lucullus, crowned with a garland, holding a book., Lives

collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Detail of the colophon: 'Anno dominicae incarnationis M^o^CCCC^o^LXX^o^ & vii^a^ decembris opus hoc consumatum est: die autum veneris summo mane. Laus & gloria sit omnipotenti yhu xpo per infinita secula'., Lives

collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Detail of marginal imagery of a heart., 49 love sonnets

heart. 1 large historiated initial, and a three-sided foliate border with gold balls, with heraldry, devices, and monograms, in colours and gold; a large red heart on a burning wood fire with raindrops, in the right margin (f. 1). Small

• Unfinished miniature of the martyrdom of Laurence, with an illuminated initial 'L'(orens), and partial foliate borders, at the beginning of his legend., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Unfinished miniatures of Pope Felix and of Simplicius and Faustina, with illuminated initials and partial foliate borders, at the beginning of their legends., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the death of Alexien, with an illuminated initial 'A'(lexien), and partial foliate borders, at the beginning of his legend., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of an unfinished miniature of the martyrdom of Laurence, with an illuminated initial 'L'(orens), at the beginning of his legend., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of an unfinished miniature of Pope Felix, with an illuminated initial 'F'(elix), at the beginning of his legend., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of an unfinished miniature of Simplicius and Faustina, with an illuminated initial 'S'(implicien), at the beginning of their legend., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the death of Alexien, with a partial foliate border, at the beginning of his legend., La légende dorée (index Legende doree; Golden legend; Legenda aurea; Legendae sanctorum; Legends of the saints)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to