in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
in ink, 1 with brown and red washes (ff. 25v, 109v, 145v). 5 smaller drawings in ink (ff. 60v, 69v, 79v, 82v, 131). Small initials in brown, some with penwork decoration. Cadels, 1 with an animal head, and 1 with
1 large initial with a partial foliate border, in colours and gold (f. 1). Large and small initials in blue with red flourishing, or red with purple flourishing. Pharsalia ? Palla Strozzi (d. 1462), many of whose manuscripts went to
1 large initial and a full border with all'antica ornament, in colours and gold (f. 4). Small initials in gold on red or blue grounds. Statutes of the Order of the Golden Fleece Written not earlier than 1531: the
containing the beginning of book 6. on f. 1v of Harley 4373). This folio was discarded intentionally so that volume 1 could neatly end with book 5 and volume 2 start with book 6.Leaf signatures. Catchwords.Repairs to the vellum carefully
containing the beginning of book 6. on f. 1v of Harley 4373). This folio was discarded intentionally so that volume 1 could neatly end with book 5 and volume 2 start with book 6.Leaf signatures. Catchwords.Repairs to the vellum carefully
containing the beginning of book 6. on f. 1v of Harley 4373). This folio was discarded intentionally so that volume 1 could neatly end with book 5 and volume 2 start with book 6.Leaf signatures. Catchwords.Repairs to the vellum carefully
containing the beginning of book 6. on f. 1v of Harley 4373). This folio was discarded intentionally so that volume 1 could neatly end with book 5 and volume 2 start with book 6.Leaf signatures. Catchwords.Repairs to the vellum carefully
containing the beginning of book 6. on f. 1v of Harley 4373). This folio was discarded intentionally so that volume 1 could neatly end with book 5 and volume 2 start with book 6.Leaf signatures. Catchwords.Repairs to the vellum carefully
containing the beginning of book 6. on f. 1v of Harley 4373). This folio was discarded intentionally so that volume 1 could neatly end with book 5 and volume 2 start with book 6.Leaf signatures. Catchwords.Repairs to the vellum carefully
containing the beginning of book 6. on f. 1v of Harley 4373). This folio was discarded intentionally so that volume 1 could neatly end with book 5 and volume 2 start with book 6.Leaf signatures. Catchwords.Repairs to the vellum carefully
containing the beginning of book 6. on f. 1v of Harley 4373). This folio was discarded intentionally so that volume 1 could neatly end with book 5 and volume 2 start with book 6.Leaf signatures. Catchwords.Repairs to the vellum carefully
containing the beginning of book 6. on f. 1v of Harley 4373). This folio was discarded intentionally so that volume 1 could neatly end with book 5 and volume 2 start with book 6.Leaf signatures. Catchwords.Repairs to the vellum carefully
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.