• Miniature of Henry III enthroned, flanked by Westminster Abbey and church bells; below, a genealogical table of his descendants., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of Richard I enthroned, holding a sword, with three Christian heads and three Saracen heads on either side of his throne., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Detail of a miniature of Richard I enthroned, holding a sword, with three Christian heads and three Saracen heads on either side of his throne., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of Edward the Confessor standing with a sceptre and a book., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Detail of a miniature of Edward the Confessor standing with a sceptre and a book., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Detail of an historiated initial 'O' of Arthur drawing the sword from the stone., Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de Merlin (ff. 74-226), ('the Huth Manuscript')

from the text. Partial bar borders with hybrid creatures, animals and human figures. Puzzle initials with pen-flourished decoration in red, blue and gold. Line-fillers in colours with gold. Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de

• Detail of an historiated initial 'O' with image of King Arthur setting infants adrift in a boat., Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de Merlin (ff. 74-226), ('the Huth Manuscript')

from the text. Partial bar borders with hybrid creatures, animals and human figures. Puzzle initials with pen-flourished decoration in red, blue and gold. Line-fillers in colours with gold. Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de

• Decorated letters 'KL', at the beginning of February in the Calendar., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Calendar page for February., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initial 'D'(eus) and full foliate border, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initial 'D'(eus) and partial border, in Prime in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initial 'D'(eus) and full foliate border, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initials 'D'(omine) and 'M'(emento) and partial border, in Compline in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major