full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his
full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his
repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning
crenellated building (f. 148v). 1 large initial in blue with red penwork decoration (f. 1). 9 large blue initials (f. 22v, 53, 76, 95v, 117, 136v, 156, 175, 213). Smaller alternating blue or red initials. Rubrics, incipits, explicits, and protagonists'
46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.
white dots along middle, coloured in blue, green and brown/orange, and pairs of gold trefoil leaves. Initial P which gives rise to this border is in blue and burgundy with an infill of blue and burgundy/pink acanthus leaves decorated with
red and blue with infill of leaves and vine and red and blue penwork flourishing extending into the margin begins the text. Initials with red and blue penwork. Latin quotations boxed in red. Item 2: Twelve-line red and blue initial
'Anno domini MCCCCxx' (1420). Twenty full bar borders in blue and violet, some with floral clusters (for a detailed description see Hanna 2002, p. 128-129). Three to five-line champ initials. Two-line blue initials with red penwork flourishing. Rubrics and marginalia
49). Probably an Augustinian canon at Haughmond Abbey. In red: scribal numbering; titles; colophons; brackets; paraphs. Two-line red initials. Three-line blue initials with red penwork flourishing. Drawing of the Holy Face on the Vernicle. Nine lines deep over one column