in a Northern style. 1 large initial in blue with red and purple penwork decoration (f. 1). 1 large initial in red with purple penwork decoration (f. 118v). 4 initials in blue with purple penwork decoration or pen-flourishing (ff. 12,
ivy sprigs. Numerous gold initials with black or brown penwork decoration and blue initials with red penwork decoration. Cadels. Some capitals marked with red. Line-fillers in gold and blue ink. Book of Hours, Use of Sarum Various inscriptions in different
by a three-sided border (f. 2). Large initials in gold on grounds of red and blue. Small initials alternately red with blue flourishing, or blue with red flourishing. Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff.
by a three-sided border (f. 2). Large initials in gold on grounds of red and blue. Small initials alternately red with blue flourishing, or blue with red flourishing. Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff.
by a three-sided border (f. 2). Large initials in gold on grounds of red and blue. Small initials alternately red with blue flourishing, or blue with red flourishing. Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff.
are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij primus incipit 1465'
abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij primus incipit 1465' (f. 7v).The Celestine convent of the Holy Trinity, Marcoussis,
and shell gold, at the beginnings of the arguments (ff. 28, 29v, 58, 87, 114, 114v, 138). Small initials alternately blue or red. Headings in red capitals Comediae (index Comedies), preceded by arguments and prologues: Andria (ff. 1-27v), Eunuchus (ff.
painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around the letter or in the bowl with simple patterns in other
painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around the letter or in the bowl with simple patterns in other
257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple
257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple
257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning
Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning
decorated initials, in colours and gold (ff. 28v, 38 (x2), 38v, 114 (x2), 115 (x2)). Small initials in plain red, blue or green, a few with pen-flourishing or penwork decoration in green, red or brown.ff. 148-250v: 1 large initial in