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of a church. ff. 151v-155v added texts in different contemporary hands. f. 156 is a thick piece of vellum and was probably used formerly as binding.The paper dated 1449-1453.The text recounts an expedition said to have been made in 1465
of a church. ff. 151v-155v added texts in different contemporary hands. f. 156 is a thick piece of vellum and was probably used formerly as binding.The paper dated 1449-1453.The text recounts an expedition said to have been made in 1465
eclipses and of the moon's influence Inscribed with the date 1463 (f. 3).? Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary (deprived of his fellowship at St John's, Cambridge in 1717): inscription 'Tho. Baker, Coll.
eclipses and of the moon's influence Inscribed with the date 1463 (f. 3).? Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary (deprived of his fellowship at St John's, Cambridge in 1717): inscription 'Tho. Baker, Coll.
'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly, in the lower margin on most of the folios with historiated
in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly,
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.
of a queen entering a church, with an angel following behind. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the
of two ladies outside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added on
III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy
Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo
Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo