Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's prologue (ff. 1, 1v, 43v, 73v, 89, 101v, 111v,
Zoomorphic initial 'D'(ominica) of a dragon, at the beginning of the commentary for the first Sunday of the Advent. Quire signatures. 1 zoomorphic initial in colours at the beginning of the text (f. 1). Puzzle pen-flourished initials in red
Christ as the Son of God, in a visualization of John 21:7. Includes one of the earliest surviving drawing of the martyrdom of Becket: see discussion Kauffmann 1975.f. 51 is a replacement page, with text in a 14th-century hand.Interlineal text
acquired by the Upper Library at Westminster after the inventory of 1542; in the select list of works noted by John Bale of c. 1548 as 'Pully super Psalterium'; in the catalogue of 1666, Royal Appendix 71, f. 15v; and
acquired by the Upper Library at Westminster after the inventory of 1542; in the select list of works noted by John Bale of c. 1548 as 'Pully super Psalterium'; in the catalogue of 1666, Royal Appendix 71, f. 15v; and
Historiated initial 'P'(rincipia) of Peter Lombard writing his commentary, at the beginning of the prologue. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's prologue (ff. 1, 1v, 43v,
Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of 2 Corinthians. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's prologue (ff. 1, 1v, 43v, 73v,
Historiated initial 'P'(aulus) of Paul holding a sword and a cross and addressing a Roman, at the beginning of Romans. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's
Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of Galatians. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's prologue (ff. 1, 1v, 43v, 73v, 89,
Decorated initial 'F'(uit in diebus Herodis regis), with foliate and zoomorphic motifs, at the beginning of Luke. The Gospels probably once formed a separate volume or volumes.f. 1 is a parchment flyleaf.Blank leaf between Mark and Luke (ff. 126-127).Some
Decorated initial 'P'(rimum), with foliate and zoomorphic motifs, at the beginning of Acts. The Gospels probably once formed a separate volume or volumes.f. 1 is a parchment flyleaf.Blank leaf between Mark and Luke (ff. 126-127).Some annotations in the lower
the bringing of the head of John the Baptist. The Veronica image is the earliest in Western art, according to Lewis 1987 p. 127.This is the earliest richly illuminated manuscript with fairly definite evidence of having been made in Oxford,
Holes with rust (ff. 170-174), evidence of former chain holes.Various inscriptions (ff. 173-174). 6 large initials in red, blue, or green with penword foliate decoration in the other colours, characterised by Lawrence as 'split-petal' and 'three-lobed-bud' motifs at the
Holes with rust (ff. 170-174), evidence of former chain holes.Various inscriptions (ff. 173-174). 6 large initials in red, blue, or green with penword foliate decoration in the other colours, characterised by Lawrence as 'split-petal' and 'three-lobed-bud' motifs at the
Holes with rust (ff. 170-174), evidence of former chain holes.Various inscriptions (ff. 173-174). 6 large initials in red, blue, or green with penword foliate decoration in the other colours, characterised by Lawrence as 'split-petal' and 'three-lobed-bud' motifs at the
Holes with rust (ff. 170-174), evidence of former chain holes.Various inscriptions (ff. 173-174). 6 large initials in red, blue, or green with penword foliate decoration in the other colours, characterised by Lawrence as 'split-petal' and 'three-lobed-bud' motifs at the
found sporadically throughout the text, are the initials of the biographers who wrote accounts of Thomas's life and death, including John of Salisbury ('I'), Herbert of Bosham ('H'), William of Canterbury ('W'), Benedict of Peterborough ('B'), and Alan of Tewkesbury
'Te igitur' (ff. 227-236v).Lacking the beginning of Genesis. 2 historiated initials (f. 3: Ambrose writing for the prologue; f. 423: John preaching, for the beginning of John's Gospel). Numerous large initials in colours with foliate decoration, hybrid creatures, masks swallowing
'Te igitur' (ff. 227-236v).Lacking the beginning of Genesis. 2 historiated initials (f. 3: Ambrose writing for the prologue; f. 423: John preaching, for the beginning of John's Gospel). Numerous large initials in colours with foliate decoration, hybrid creatures, masks swallowing
'Te igitur' (ff. 227-236v).Lacking the beginning of Genesis. 2 historiated initials (f. 3: Ambrose writing for the prologue; f. 423: John preaching, for the beginning of John's Gospel). Numerous large initials in colours with foliate decoration, hybrid creatures, masks swallowing