• Front cover of the red leather binding with gold tooling., Cosmographia

Front cover of the red leather binding with gold tooling. Horizontal catchwords.The manuscript was written in the 3rd quarter of the 15th century, possibly in Rome, according to unpublished notes of A. C. de la Mare at the Bodleian

• Spine of the red leather binding crafted by Thomas Elliot, one of the two binders employed by Edward Harley for this style. The gold-tooled letters of Elliot's name appear in small roundels., Cosmographia

Spine of the red leather binding crafted by Thomas Elliot, one of the two binders employed by Edward Harley for this style. The gold-tooled letters of Elliot's name appear in small roundels. Horizontal catchwords.The manuscript was written in the

• Miniature of Christ in majesty, with the Virgin Mary and John the Baptist, and the Resurrection of the Souls. Decorated initial in gold and colours, and full foliate border., Book of Hours, Use of Paris

with the Virgin Mary and John the Baptist, and the Resurrection of the Souls. Decorated initial in gold and colours, and full foliate border. 8 roundels with partial foliate borders, in colours and gold, in the calendar (ff. 1-9v); 2

• Historiated initial 'P'(aulus) with interlace patterns and a bird, and other decorated letters at the beginning of Thessalonians., The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

• Miniature of an architectural setting with a prostrated figure., The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

• Decorated initials with interlace., The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

• Decorated initial with animal heads and interlace., The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

• Decorated initial with animal heads and interlace., The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

• Decorated initial with animal heads and interlace., The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

• Decorated initial with animal heads and interlace., The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

• Miniature of the Crucifixion with John the Evangelist and the Virgin Mary kneeling at the base of the cross., History of the Holy Family (index Historia della Familia Santissima); excerpts from the Gospels

the Crucifixion with John the Evangelist and the Virgin Mary kneeling at the base of the cross. Horizontal catchwords. Half-page miniature in colours, in four panels, of events in the life of Joachim, a large initial in brown, and an

• Historiated white vine initial 'I'(n ipso) with Jerome writing combined with a white vine border with birds and the arms of Ludovicus Petronius (index Lodovico Petroni)., Epistulae (index Letters)

Historiated white vine initial 'I'(n ipso) with Jerome writing combined with a white vine border with birds and the arms of Ludovicus Petronius (index Lodovico Petroni). ff. i and ii are paper flyleaves, ff. iii and [322] are former

• Partial white vine border; white vine initial 'N'(el); and the arms of the Tedaldi family of Florence or Cremona: barry ~or~ and ~gules~, a lion rampant ~azure~ overall., Trionfi (index Triumphs)

Partial white vine border; white vine initial 'N'(el); and the arms of the Tedaldi family of Florence or Cremona: barry ~or~ and ~gules~, a lion rampant ~azure~ overall. No catchwords or signatures. Partial white vine border in blue, green,

• Initial in foliate design in a foliate design, in gold and colours, inhabited by snakes., World chronicle from the Creation to 1574

Initial in foliate design in a foliate design, in gold and colours, inhabited by snakes. The text corresponds to Dorotheos of Moenmbasia's 'Bible History', but with significant variations.The manuscript has an old pagination '1-1723' in ink (ff. 1-861). Headpiece

• Text page with extended ascenders, cadels and the head of a man in profile., Offices and prayers

Text page with extended ascenders, cadels and the head of a man in profile. Numerous initials in red or blue. Some capitals marked with stroke of red. Ascenders of the top line extending and sometimes decorated with cadels, or

• White vine initial 'P'(lutarchus) at the beginning of the text., 'Noctes atticae'

White vine initial 'P'(lutarchus) at the beginning of the text. Guide letters. Catchwords written vertically. Leaf signatures. 19 large white vine initials (ff. 2v, 18v, 34v, 45v, 54v, 65, 73, 86, 95v, 107v, 115v, 125v, 140, 149v, 159v, 169,

• White vine initial 'I'(NTER) and border with wreath enclosing a blank area intended for arms, at the beginning of the text., Historia Alexandri Magni

wreath enclosing a blank area intended for a coat of arms (f. 1). Historia Alexandri Magni Added maniculum (f. 31). John Gibson (fl. 1720-1726), dealer; sold on 17 June 1721 to the Harley collection (see ~Diary~ 1966).The Harley Collection, formed

• Historiated initial 'S'(oror) with Seneca holding a scroll extending into the margin at the beginning of Seneca's Hercules furens., Tragoediae (index Tragedies)

Historiated initial 'S'(oror) with Seneca holding a scroll extending into the margin at the beginning of Seneca's Hercules furens. Catchwords written vertically.The outer bifolio in the first quire is made of parchment (ff. 1/12).ff. 205-206v are ruled leaves with

• Full-page miniature of Bridget writing while an angel whispers in her ear at the beginning of the Fifteen Oes of St Bridget., Prayer book

acanthus leaves, flowers, fruits, besants, and birds, of the Crucifixion (f. 12v), the Last Judgment (f. 17v), Bridget (f. 47v), John the Evangelist (f. 77v), Barbara (f. 81v), and the Assumption of the Virgin (f. 83v). 1 small miniature combined

• Partial white vine border with a large historiated initial 'L'(eo) with a portrait of Pope Leo I in his study and a smaller white vine initial 'L'(eo)., Letters of Pope Leo I ( the Great), with the Life of Leo by Marcus Michael of Crotona

Partial white vine border with a large historiated initial 'L'(eo) with a portrait of Pope Leo I in his study and a smaller white vine initial 'L'(eo). f. 1 is a parchment flyleaf.This manuscript was written by the same