Your search found 833 results in 1 resource
shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18.
the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.
many of or with foliate forms, some with other colours. Small red or brown initials. Knotted decorative forms. Liturgy of John Chrysostom, with marginal annotations, and three troparia to him Written mainly by Sebastianos Argyropoulos, the Metropolites of Ephesus, in
the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.
Full-page border, from a detached leaf with the text removed, decorated with arabesques and seated figures of a pope, a cardinal, and two bishops, shrouded female figures, urns and floral motifs, framing miniatures of angels adoring the Host and
5 border pieces decorated with flowers, birds and insects. Italian cuttings.The present cuttings are kept in two boxes with Add. 35254H-I, L, M and O (there is no. f. J) and Add. 35254Q-V. To see these cuttings in the
Full-page border from a detached leaf with the text excised, decorated with four 'female' masks and figures of the four Evangelists in cartouches. Italian cuttings.The present cuttings are kept in two boxes with Add. 35254H-I, L, M and O
Foliate border with four portraits of philosophers in roundels, putti, the coat of arms of Aragon, and a large historiated initial 'D'(ivina) of Plato in his study. This is the first of two volumes; the second volume is Harley
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants. Italian cutting.The present cutting is kept in a box with Add. 35254I-O.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Decorated panels, the upper with a standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form
Detail of plaque, with standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones