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the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in
Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII.6.9’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with
manuscripts and newspaper proprietor: with his book-plate inscribed '£ble.e.e [i.e. £190.0.0] / [bought from] Maggs / March 1924 (inside upper cover). Bequeathed to the British Museum in 1941 by Mrs Henry Yates Thompson. Illuminated initial London England, S. E. (London)
and newspaper proprietor: with his book-plate inscribed '£ble.e.e [i.e. £190.0.0] / [bought from] Maggs / March 1924 (inside upper cover). Bequeathed to the British Museum in 1941 by Mrs Henry Yates Thompson. King Edward III London England, S. E. (London)
and newspaper proprietor: with his book-plate inscribed '£ble.e.e [i.e. £190.0.0] / [bought from] Maggs / March 1924 (inside upper cover). Bequeathed to the British Museum in 1941 by Mrs Henry Yates Thompson. King Richard II London England, S. E. (London)
and newspaper proprietor: with his book-plate inscribed '£ble.e.e [i.e. £190.0.0] / [bought from] Maggs / March 1924 (inside upper cover). Bequeathed to the British Museum in 1941 by Mrs Henry Yates Thompson. King Henry IV London England, S. E. (London)
and newspaper proprietor: with his book-plate inscribed '£ble.e.e [i.e. £190.0.0] / [bought from] Maggs / March 1924 (inside upper cover). Bequeathed to the British Museum in 1941 by Mrs Henry Yates Thompson. King Henry VI London England, S. E. (London)
and newspaper proprietor: with his book-plate inscribed '£ble.e.e [i.e. £190.0.0] / [bought from] Maggs / March 1924 (inside upper cover). Bequeathed to the British Museum in 1941 by Mrs Henry Yates Thompson. King Henry V London England, S. E. (London)
Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London and its
Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London and its
Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London and its
Church, London. 5 large initials in blue with red pen-flourishing (ff. 1, 2, 9, 10v, 11v). Marginal notations and rubrics in red. Paraphs in red or blue. The Endowment and Orders of Sherington’s Chantry, founded in Saint Paul’s Church, London
1800; Cambridge, Fitzwilliam Museum, Marlay Cuttings It 19; Lille, Musée des Beaux-Arts, inv. PL 708; London, Victoria and Albert Museum, ms. 1005 n. 4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection,
1800; Cambridge, Fitzwilliam Museum, Marlay Cuttings It 19; Lille, Musée des Beaux-Arts, inv. PL 708; London, Victoria and Albert Museum, ms. 1005 n. 4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection,
1800; Cambridge, Fitzwilliam Museum, Marlay Cuttings It 19; Lille, Musée des Beaux-Arts, inv. PL 708; London, Victoria and Albert Museum, ms. 1005 n. 4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection,
ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society together with 549 other Arundel manuscripts in 1831. Heraldry and signatures Perhaps John Multon John Multon Thomas Hoccleve, Pseudo-Aristotle London England, S. E. (London)
/ ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society together with 549 other Arundel manuscripts in 1831. Decorated initial Perhaps John Multon John Multon Thomas Hoccleve, Pseudo-Aristotle London England, S. E. (London)
artist are: Cambridge, Fitzwilliam Museum, Marlay Cuttings It. 21, 60 and 69; Munich, Staatliche Graphische Sammlung, inv. no. 40155 and London, ex-Holford Collection, no. 30, all of which are stylistically related to Monte Oliveto Maggiore, Biblioteca dell'Abbazia, Corale di Monte
same Breviary are Cleveland, Museum of Art, 1951.548 and 1953.21 (see P. D’Ancora and E. Aeschlimann, The Art of Illumination. London, 1969, p. 230, pl. 131; and Mirella Levi D’Ancona, ~The Wildenstein Collection of Illuminations: The Lombard School~ (Florence: Leo
1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London. Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. David Master of Mary of Burgundy