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after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except
after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except
after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except
after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except
after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except
Manuscripts of the West Midlands
with red and blue penwork. Three-line blue initials with red penwork decoration. Four-line lombardic capitals. Very little decoration in later quires. Not medieval. Size: 200 x 145 mm. Cover: red leather over pasteboard with gold stamp of two angels holding