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Richard Smith in the 17th century, according to Forshall and Madden 1850; the writing on the parchment fragment on f. 1v in the same hand.William Petty (~formerly~ Fitzmaurice) (b. 1737, d. 1805), 2nd earl of Shelburne and 1st marquess
Richard Smith in the 17th century, according to Forshall and Madden 1850; the writing on the parchment fragment on f. 1v in the same hand.William Petty (~formerly~ Fitzmaurice) (b. 1737, d. 1805), 2nd earl of Shelburne and 1st marquess
Richard Smith in the 17th century, according to Forshall and Madden 1850; the writing on the parchment fragment on f. 1v in the same hand.William Petty (~formerly~ Fitzmaurice) (b. 1737, d. 1805), 2nd earl of Shelburne and 1st marquess
Richard Smith in the 17th century, according to Forshall and Madden 1850; the writing on the parchment fragment on f. 1v in the same hand.William Petty (~formerly~ Fitzmaurice) (b. 1737, d. 1805), 2nd earl of Shelburne and 1st marquess
first publication of the catalogue of his collection in 1869 and the second edition of 1876 (see Robinson 1876). Purchased by the Department of Prints and Drawings of the British Museum in 1895.Transferred to the Department of Manuscripts of the
in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initials England
Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and
(ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232) Richard Ferris, Master of the Barbers' and Surgeons'
1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham
table of contents ? and replacement pages ? (f 1r-1v; ff. 9-10v).Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Inscription '976' (inside upper cover).Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of
1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham
1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham
1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham
1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham
1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham
Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.