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cardinal (added to ff. 4, 106, 197).? Iacopo Piccolomini (b. 1422, d. 1479), member of the household of Pope Pius II (d. 1464), and bishop of Lucca from 1470: with an eight-line inscription including ‘Dum vixi Iacobus Piccolomini domus papa
of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest
of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest
of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest
formed by manuscripts of different date and origin and includes:'Gui de Warewic', romance in Anglo-Norman verse, with initials in red, last quarter of the 13th or 1st quarter of the 14th century (ff. 15-26v);Life of Saint Robert of Knaresborough, prose
formed by manuscripts of different date and origin and includes:'Gui de Warewic', romance in Anglo-Norman verse, with initials in red, last quarter of the 13th or 1st quarter of the 14th century (ff. 15-26v);Life of Saint Robert of Knaresborough, prose
Detail of a text page of St Albans's Annals, datable to 1428-1431 (ff. 100-120). The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of St.
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Puzzle initial 'I.M.' and other scribes I.M. John of Wales
of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
pp. 114-15).A terminus post quem is provided by a poem written in one of the original hands lamenting the death of the ninth abbot of Waltham, Richardof Hertford, who died in 1345 (ff. 38v-39).Some verses written in Middle English
pp. 114-15).A terminus post quem is provided by a poem written in one of the original hands lamenting the death of the ninth abbot of Waltham, Richardof Hertford, who died in 1345 (ff. 38v-39).Some verses written in Middle English
pp. 114-15).A terminus post quem is provided by a poem written in one of the original hands lamenting the death of the ninth abbot of Waltham, Richardof Hertford, who died in 1345 (ff. 38v-39).Some verses written in Middle English