• Detail of historiated initial of the Trinity., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial 'D'(ominus) with Andrew., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Detail of historiated initial of the Presentation., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial of the Presentation., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Miniature of the Crucifixion, with the sun and moon overhead, and the Virgin Mary and John the Evangelist below., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Miniature of God enthroned, surrounded by symbols of the four evangelists., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Miniature of man teaching students, decorated initial 'C'(his), and three-sided border with animals, birds, and hybrids: Centaur shooting a bird; Battle between squirrel and monkey, both mounted on unicorns; Bagpiper and fiddler, in Brunetto Latini's Le Livre du Trésor., Li Livres dou Tresor

61, 61v, 62v, 63 (x2), 63v, 64 (x4), 64v (x2), 65, 87, 118v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Li Livres dou Tresor Inscribed, 15th century: 'lan mil troy sens et cinquante et

• Miniature of the four elements, with a sick man and a physician holding up a bottle, decorated initial 'C'(hi), and three-sided border: on the upper bar border, birds, and a dog chasing a stag, and on the lower border, a bird, a rabbit, and a man with a sword and hawk on a rearing horse, in Brunetto Latini's Le Livre du Trésor., Li Livres dou Tresor

61, 61v, 62v, 63 (x2), 63v, 64 (x4), 64v (x2), 65, 87, 118v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Li Livres dou Tresor Inscribed, 15th century: 'lan mil troy sens et cinquante et

• Initial with foliate decoration on a text page faced by a full-page engraving showing the orb (representing the world) surmounted by the cross, the ocean with caravels and the four winds., Contemplacioun of Synnaris (index Contemplation of Sinners), poem in royal stanzas

with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 11209 (Madrid, 1547). Initials in blue with foliate decoration in red and purple (ff. 2, 17, 30v, 45v). Puzzle or plain initials in purple (ff.

• Puzzle initial and full-page engraving showing Christ in Majesty., Contemplacioun of Synnaris (index Contemplation of Sinners), poem in royal stanzas

with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 11209 (Madrid, 1547). Initials in blue with foliate decoration in red and purple (ff. 2, 17, 30v, 45v). Puzzle or plain initials in purple (ff.

• Detail of a coloured drawing of a man poking a knife into Christ on the cross., Various works including the tale of Adam of Bristol (ff. 19-27v) and 'Les trente et troys folis' (in French verse; ff. 27v-31v)

1808. Drawing in colours of the Crucifixion (f. 22). Historiated initial in colours (f. 22). Puzzle initial in red and blue (f. 19). Paraphs in red. Various works including the tale of Adam of Bristol (ff. 19-27v) and 'Les trente

• Decorated foliate initial 'A'(dventus) at the beginning of Florus's Epitome bellorum, and foliate border with heraldic arms., Epitome bellorum omnium annorum DCC

gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium annorum DCC An ecclesiastical member of the Capra family, perhaps Bartolomeo

• Historiated initial 'U' with an angel holding a book, a knight with a shield and spear, a crouching man, and a dragon's head forming part of the letter., Epistola de vita S. Dunstani; Life of St Dunstan

forming part of the letter. 2 historiated initials in colours (ff. 1, 2). Small simple initials in red, green, or blue. Epistola de vita S. Dunstani; Life of St Dunstan The Benedictine cathedral priory of Christ Church, Canterbury (see f.

• Detail of a section of the scatter border with gems, flowers, strawberries, blue tit, bullfinch, and a roundel containing John the Baptist, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

scatter border with gems, flowers, strawberries, blue tit, bullfinch, and a roundel containing John the Baptist, at the beginning of the Hours of the Virgin. Alexander 1985 notes that Matteo Contugi of Volterra wrote several manuscripts for Federico da Montefeltro

• Miniature of Diex d'Amors (the God of Love) taking hold of the Lover (L'Amans)., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Detail of a miniature of Diex d'Amors (the God of Love) taking hold of the Lover (L'Amans)., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Detail of an historiated initial 'H'(odie) of the Nativity of Christ, at the beginning of the choir response during the morning prayers (lauds) for Christmas., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

329, 334v). Large decorated initials, many including human heads, with partial foliate borders, in colours and gold. Small initials in blue with red foliate pen-flourishing, some including human heads or grotesque figures. 1 marginal drawing of a grotesque figure, in

• Detail of an historiated initial 'H'(esterna) of the martyrdom of Stephen, with a partial bar border including a grotesque, at the beginning of the reading for 26 December., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

329, 334v). Large decorated initials, many including human heads, with partial foliate borders, in colours and gold. Small initials in blue with red foliate pen-flourishing, some including human heads or grotesque figures. 1 marginal drawing of a grotesque figure, in

• Detail of an historiated initial 'V'(alde) of John writing on a scroll ('S. Iohannes') with an eagle, his symbol, at his feet, with a partial bar border including a grotesque hybrid, at the reading for 27 December., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

329, 334v). Large decorated initials, many including human heads, with partial foliate borders, in colours and gold. Small initials in blue with red foliate pen-flourishing, some including human heads or grotesque figures. 1 marginal drawing of a grotesque figure, in

• Detail of an historiated initial 'H'(erodes) of Herod overseeing the massacre of the innocents by knights, with a partial bar border including a dancing, hooded grotesque, at the reading for the feast of Holy Innocents on 28 December., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

329, 334v). Large decorated initials, many including human heads, with partial foliate borders, in colours and gold. Small initials in blue with red foliate pen-flourishing, some including human heads or grotesque figures. 1 marginal drawing of a grotesque figure, in