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British Library Catalogue of Illuminated Manuscripts
All volumes: Smaller puzzle initials in gold and blue with pen-flourishing in blue and red, some with decorated extensions in gold and blue. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Grandes chroniques de France
All volumes: Smaller puzzle initials in gold and blue with pen-flourishing in blue and red, some with decorated extensions in gold and blue. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Grandes chroniques de France
initial in gold on a red and blue ground, with foliate extensions into the margins (f. 4). Initials in gold on red and blue grounds, with foliate extensions into the margins. Initials in blue with red foliate pen-flourishing. Two quires
initial in gold on a red and blue ground, with foliate extensions into the margins (f. 4). Initials in gold on red and blue grounds, with foliate extensions into the margins. Initials in blue with red foliate pen-flourishing. Two quires
initial in gold on a red and blue ground, with foliate extensions into the margins (f. 4). Initials in gold on red and blue grounds, with foliate extensions into the margins. Initials in blue with red foliate pen-flourishing. Two quires
large initial in blue with pen-flourishing in red. Small initials in plain red. Diagrams. Alchemical treatises Inscription, 15th century, and the number 'XV.B' (f. 1).Francis Bernard (bap. 1628, d. 1698), apothecary and physician: inscribed '90. Bern.' (f. 2).Sir Hans Sloane
large initial in blue with pen-flourishing in red. Small initials in plain red. Diagrams. Alchemical treatises Inscription, 15th century, and the number 'XV.B' (f. 1).Francis Bernard (bap. 1628, d. 1698), apothecary and physician: inscribed '90. Bern.' (f. 2).Sir Hans Sloane
beginning of Ovid's Metamorphoses. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).
Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v). Metamorphoses (ff. 3-180); Commentary
Zodiac man and coloured initials. f. 1 is a paper leaf. Large initials in blue. Parpahs in blue or red. Line-filllers in red. Drawings in brown and red of zodiac man, and surgical instruments and procedures (ff. 62v, 72v, 81v).
some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous
some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous
some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous
some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous
514v). A few large and mostly small initials (1-2 lines) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line fillers decorated in gold and blue. Breviary, Use of Ste Genevieve, Paris Made for use in the abbey
514v). A few large and mostly small initials (1-2 lines) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line fillers decorated in gold and blue. Breviary, Use of Ste Genevieve, Paris Made for use in the abbey
7 initials in colours with foliate motifs (ff. 23v, 28, 40, 59v, 87, 98, 123v). Blue initials with red penwork decoration and red initials with blue penwork decoration. Rubrics in red. Elements (index Liber geometriae, Elementa geometriae) The Harley Collection,
- Detail of a miniature of Augustine and his vision of the Holy Trinity., Book of Hours, Use of Angers
(ff. 18, 24). Large initials (2-3 lines) in gold on red and blue grounds with partial foliate borders. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Angers Unidentified original owner: erased
Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:
Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2: