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45 pen drawings and fragments of 2 more, with a wash of green, and often red, or sometimes yellow and/or blue, often of knights on horseback in combat. Small simple initials in red or green. Chanson d'Aspremont, imperfect William Petty
and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes
and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes
and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes
and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes
and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes
and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes
and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes
102, 113, 117, 118v, 129, 134, 138). Smaller initials in red or blue with red pen-flourishing and green (and yellow) wash. Small initials in plain red or blue. Missal, Use of Utrecht? Gervasius de Someren of Utrecht, for the Church
102, 113, 117, 118v, 129, 134, 138). Smaller initials in red or blue with red pen-flourishing and green (and yellow) wash. Small initials in plain red or blue. Missal, Use of Utrecht? Gervasius de Someren of Utrecht, for the Church
at the beginning of the prologues or books of Genesis and Matthew (ff. 3v, 4, 368v, 369). Large initials in blue, purple, red, green, or brown, or combinations of these colours with pen-flourishing in red, purple, or green, or combinations
at the beginning of the prologues or books of Genesis and Matthew (ff. 3v, 4, 368v, 369). Large initials in blue, purple, red, green, or brown, or combinations of these colours with pen-flourishing in red, purple, or green, or combinations
for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona
for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona
for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona
124v, 133v, 141v, 150v, 160v, 170v, 180, 187, 197, 204v, 210v, 219, 226v, 233, 242, 251v, 260). Small initials alternately blue with red pen-flourishing, or red with purple pen-flourishing. Three partial borders incorporating the arms of Cardinal Pietro Riario, at
for pouncing. 1 large historiated initial, with partial border, in colours (f. 4). Large and small initials alternately red or blue, with red penwork decoration. Grammatica maior Written in part in 1434 by Iohannes de Drizona (? Drizzona, between Cremona
(ff. 24v, 44v, 63v, 80, 103, 119v, 138, 158, 186, 189v, 206, 216v, 229v). Numerous plain initials in red and blue. Rubrics in red. Epigraphic capitals in red ink (f. 250). Institutiones Written in 1434: colophon, 'Sub anno domini millesimo
124v, 133v, 141v, 150v, 160v, 170v, 180, 187, 197, 204v, 210v, 219, 226v, 233, 242, 251v, 260). Small initials alternately blue with red pen-flourishing, or red with purple pen-flourishing. Three partial borders incorporating the arms of Cardinal Pietro Riario, at
124v, 133v, 141v, 150v, 160v, 170v, 180, 187, 197, 204v, 210v, 219, 226v, 233, 242, 251v, 260). Small initials alternately blue with red pen-flourishing, or red with purple pen-flourishing. Three partial borders incorporating the arms of Cardinal Pietro Riario, at