65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings
65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings
257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple
257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple
in colours and gold (ff. 1, 55v, 82, 113v). Smaller initials in gold on red and blue grounds. Small initials in plain red or blue. Elegiae (index Elegies) (ff. 1-55); Carmina (ff. 55v-81v); Catullus (ff. 82-113v); Priapea (ff. 113v-122v) Colophon
257v, 264v, 272, 286). 9 large puzzle initials in blue and red with pen-flourishing in red and purple (ff. 136v, 208, 208v, 239, 252, 257v, 264, 271v, 286). Large initials in blue with red pen-flourishing, or in red with purple
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
wreath enclosing an unidentified coat of arms in the lower margin (f. 1). Smaller coloured initials in alternating red and blue. Rhetorica ad Herennium (index De ratione dicendi ad Herennium)(ff. 1-76), Synonyma ad Lucium Veturium (ff. 77-93), Epitaph of St
65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings
in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see
36v-37) in darker ink, e.g. a Roman eagle (f. 71), a dragon (f. 86). Numerous large and smaller initials in blue with pen-flourishing including leaf patterns in red. Elongated ascenders on top line decorated in red (e.g. ff. 24v, 25).
36v-37) in darker ink, e.g. a Roman eagle (f. 71), a dragon (f. 86). Numerous large and smaller initials in blue with pen-flourishing including leaf patterns in red. Elongated ascenders on top line decorated in red (e.g. ff. 24v, 25).
36v-37) in darker ink, e.g. a Roman eagle (f. 71), a dragon (f. 86). Numerous large and smaller initials in blue with pen-flourishing including leaf patterns in red. Elongated ascenders on top line decorated in red (e.g. ff. 24v, 25).
36v-37) in darker ink, e.g. a Roman eagle (f. 71), a dragon (f. 86). Numerous large and smaller initials in blue with pen-flourishing including leaf patterns in red. Elongated ascenders on top line decorated in red (e.g. ff. 24v, 25).
Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning
Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning
by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto