• Miniature of a bishop in the act of cutting a lock of hair from the first of seven newly ordained clerks kneeling before him, in front of the archbishop's cross-bearer between two deacons, decorated initial 'P'(ontificalis), and full foliate border, at the beginning of the Pontifical of Guilelmus Durandus., The Pontifical of Guilelmus Durandus, Use of Mende

initials, developing full foliate borders, in red, blue and gold. Smaller decorated foliate initials with extensions into the margins, in red, blue and gold. Small initials and line-fillers in gold on red and blue grounds. Numerous initials in brown ink

• Miniature of a bishop, administering the consecrated wafer to the first of five newly ordained priests who kneel before him; behind, a chaplain holding the cup for purifying the communicants, with a cross-bearer and two deacons, decorated initials, and full foliate border, at the beginning of the second part of the Pontifical of Guilelmus Durandus., The Pontifical of Guilelmus Durandus, Use of Mende

initials, developing full foliate borders, in red, blue and gold. Smaller decorated foliate initials with extensions into the margins, in red, blue and gold. Small initials and line-fillers in gold on red and blue grounds. Numerous initials in brown ink

• Initials with pen-flourishing, in Bartolus de Saxoferrato's Super tribus libris postremis codicis Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Ubaldis, Lectura Authentici (ff. 91-178). Ff. 25-177v: Large initials alternately red or blue, the first with reserved designs, with red pen-flourishing. Paraph marks in plain red or blue. A note on f. [180] is a count of the number of

• Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Ubaldis, Lectura Authentici (ff. 91-178). Ff. 25-177v: Large initials alternately red or blue, the first with reserved designs, with red pen-flourishing. Paraph marks in plain red or blue. A note on f. [180] is a count of the number of

• Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Ubaldis, Lectura Authentici (ff. 91-178). Ff. 25-177v: Large initials alternately red or blue, the first with reserved designs, with red pen-flourishing. Paraph marks in plain red or blue. A note on f. [180] is a count of the number of

• Coloured initials., Summa de modo medendi (ff. 2-25v)

the manuscript in Hunt 1994. Large and small initials in red or blue, some with penwork decoration. Extensions of letters in the first and last lines. Summa de modo medendi (ff. 2-25v) Roger Marchall (b. c.1417, d. c. 1477), physician

• Miniature of John the Baptist, and full foliate borders with birds, a dragon and a grotesque figure, for his suffrage., Prayer book

and gold. Large decorated initials, in colours and gold. Large and small initials and line-fillers in gold on red and blue grounds. Prayer book Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector: inscribed 'Bibliotheca Sloaniana' (f. 1).

• Historiated initial 'O' with Christ in the garden of Gethsemane and foliate borders including heraldic arms., Breviary, Use of the Humiliati

colours and gold (ff. 89, 207v, 311v). Smaller initials in gold on red, blue and/or green grounds. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Breviary, Use of the Humiliati Unidentified owner, by 1471: arms,

• Historiated initial with the Kiss of Judas., Breviary, Use of the Humiliati

colours and gold (ff. 89, 207v, 311v). Smaller initials in gold on red, blue and/or green grounds. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Breviary, Use of the Humiliati Unidentified owner, by 1471: arms,

• Text page., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings

• Text page., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings

• Illuminated initial 'N'(ux)., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings

• Three-sided white vine border with gold initial 'V'(os) and mutilated arms in the lower margin., Comoediae (index Comedies)

gold (ff. 3, 30, 31, 59, 85, 111, 135). 2 gold initials on pink and blue panels (f. 3). Initials alternating in red or blue. Rubrics, incipits, explicits, running headers, and protagonists' names in red. Comoediae (index Comedies) Written by

• White vine initial 'E'(t si) with the head of a ?bird, wreath enclosing unidentified arms in the lower margin at the beginning of the Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium)(ff. 1-76), Synonyma ad Lucium Veturium (ff. 77-93), Epitaph of St Bernardino (f. 93v)

wreath enclosing an unidentified coat of arms in the lower margin (f. 1). Smaller coloured initials in alternating red and blue. Rhetorica ad Herennium (index De ratione dicendi ad Herennium)(ff. 1-76), Synonyma ad Lucium Veturium (ff. 77-93), Epitaph of St

• Colophon of Johannes Jacobus de Balbis and ownership inscription of Cornelius Balbus., Satires (index Saturae, Satirae)

is a blank, ruled paper leaf with a 16th- or 17th- century(?) inscription. 1 large blue initial with red pen-flourishing (f. 1). 13 smaller red initials (ff. 4v, 7v, 14, 17v, 20v, 34, 38v, 54v, 58v, 61, 64, 66v, 67).

• Decorated initial 'I'(inter)., De bello hispaniensis (Liber V: anno 1412 ad 1444) (index De bello Hispano libri quinque)

pasted onto f. [i]. 1 large initial in colours and gold with a foliate extension (f. 1). 3 initials in blue with red penwork decoration (ff. 1v, 28v, 53). 2 initials in red with purple penwork decoration (ff. 11v, 41).

• Initial 'H' with pen-work decoration., Collection of letters attributed to Hippocrates and others in Rinuccini's Latin translation, preceded by dedications to Cardinal Antonio de la Cerda y Llosa (elected 1448, d. 1459) and Pope Nicholas V (elected 1447, d. 1455) (ff. 1-1v)

of the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968). Initials in blue with pen work decoration in red. Rubrics, initials and paraphs in red. Collection of letters attributed to Hippocrates and

• Illuminated initial 'P'(hobe) with white vine stem decoration at the beginning of De medicina., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings

• Detail of a miniature of Anthony being tormented by demons, with an historiated initial 'A'(nthoine) of Anthony being blessed by another saint, at the beginning of his legend., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Ink diagram of the Nativity., Chronicle of England ( the 'Anonimalle Chronicle')

36v-37) in darker ink, e.g. a Roman eagle (f. 71), a dragon (f. 86). Numerous large and smaller initials in blue with pen-flourishing including leaf patterns in red. Elongated ascenders on top line decorated in red (e.g. ff. 24v, 25).