• Miniature of pagan priest worshiping an idol, and of a Christian mass in front of an altar, with a full border containing the royal arms of England surmounted by a crowned helm with mantling in Edward's colours of red and blue and surrounded by the Garter, with two escutcheons bearing the royal arms for his sons, Edward, the Prince of Wales and Richard, duke of York, two banners with the royal arms of England, and the Yorkist badge of the white ~rose-en-soleil~ with a motto 'Dieu et mon droit', with a puzzle initial 'D'(e ceulz), at the beginning of book 6., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Detail from the full border of the royal arms of England surmounted by a crowned helm with mantling in Edward's colours of red and blue and surrounded by the Garter, with two escutcheons bearing the royal arms for his sons, Edward, the Prince of Wales and Richard, duke of York, two banners with the royal arms of England, and the Yorkist badge of the white ~rose-en-soleil~ with a motto 'Dieu et mon droit'., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of Charles V, king of France, receiving the book from the translator, Raoul des Presles, with a full border containing the royal arms of England surmounted by a crowned helm with mantling in Edward's colours of red and blue and surrounded by the Garter, with two escutcheons bearing the royal arms differenced by labels of three points for his sons, Edward, the Prince of Wales and Richard, duke of York, two banners bearing the royal arms of England held by angels, and the Yorkist badge of the white ~rose-en-soleil~ with a motto 'Dieu et mon droit', with a foliate initial 'A'(vous) at the beginning of the prologue., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Illuminated border and initial. The brown ink inscription in the top right corner is a Durham cathedral press-mark., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initials with pen-flourishing with trefoils or spiky holly-leaf shapes., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initial 'D' and partial border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated initial with a border around part of the text., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Text page., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated foliate initial and full border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated initial 'A' with a border around part of the text., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initial with extension forming a border around part of the text., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• null, Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated initials and border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Pen-flourished initials in blue. This colour combination is typical of English manuscripts: on the Continent one would usually find blue initials alternating with red ones, each with penwork flourishing in the opposite colour., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Miniature of the Birth of the Virgin with an inscription on the wall 'Joy sans fin', and of the Annunciation to Joachim and the meeting of Joachim and Anna at the Golden Gate, with a full border containing the royal arms of England surrounded by the Garter with the motto 'Honny soit qui mal y pense', surmounted by a crowned helm with a mantling in Edward VI's colours of red and blue, and the Yorkist badge of a white ~rose-en-soleil~ with the motto 'Dieu est mon droit', and an illuminated initial 'C'(ombien) with the white rose of the York family, at the beginning of the prologue to book 2., Fleur des histoires, books 2-3

an initial in colours (f. 175). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Fleur des histoires, books 2-3 Edward IV (b. 1442, d. 1483), king of England and

• Text page with punctuated Oriental script, ornamental space fillers and marginal decoration., Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms)

decoration. Ruling is visible. Fragmentary. Numerous space fillers with gold, red and blue. Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms) Moses Gaster (b. 1856, d. 1939), scholar and rabbi: his manuscript, Cod. G.

• Text page with punctuated Oriental script, ornamental space fillers and marginal decoration., Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms)

decoration. Ruling is visible. Fragmentary. Numerous space fillers with gold, red and blue. Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms) Moses Gaster (b. 1856, d. 1939), scholar and rabbi: his manuscript, Cod. G.

• Text page with punctuated Oriental script, ornamental space fillers and marginal decoration., Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms)

decoration. Ruling is visible. Fragmentary. Numerous space fillers with gold, red and blue. Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms) Moses Gaster (b. 1856, d. 1939), scholar and rabbi: his manuscript, Cod. G.

• Miniature of a group of philosophers discussing., City of God (La cite de Dieu)

2 with instructions for illuminator (f. 58v, 295). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. City of God (La cite de Dieu) Edward IV (b. 1442, d. 1483), king of

• Detail of a miniature of a group of philosophers discussing., City of God (La cite de Dieu)

2 with instructions for illuminator (f. 58v, 295). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. City of God (La cite de Dieu) Edward IV (b. 1442, d. 1483), king of