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Christ dictating to John. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff. 104-214v).According to Sandler, stylistically related to the
of Christ dictating to John. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff. 104-214v).According to Sandler, stylistically related to
written by John Stowe and others, including the Song of the Lady Bessy, concerning Princess Elizabeth, future wife of Henry VII (ff. 89-100), written by Humphrey Brereton, an extract from Lydgate's Life of Edmund and Fremund (f. 86v) John Stowe,
the beginning of the prologue to John. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D
principio), at the beginning of John. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I,
at the beginning of 1 John. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I,
at the beginning of 2 John. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I,
at the beginning of 3 John. Associated with a group of manuscripts (the 'William of Devon group'): now Egerton 1151, Pierpont Morgan Library M. 756, Cambridge, Emmanuel College 116 (2.I.6), Bodleian Library Auct. D. I. 17, Royal 1 D I,
Veteris Testamenti ex opusculis S. Gregorii, De institutis coenobiorum, Collationes The priory of St. Mary, Sempringham, co. Lincoln, given by John de Glynton, master of the Sempringham Order in 1332: originally with the inscription probably on the original cover, 'ex
an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);
an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);
an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);
a miniature of John and representatives of churches. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or
a miniature of John, and the Son of Man between seven candlesticks. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the
a miniature of John writing, with an angel before him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary
a miniature of John and the angel pointing to the walls of New Jerusalem. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution
a miniature of John being raised by an angel, with the head of God above. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The
a miniature of John kneeling before Christ. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or to
a miniature of John, the lamb on the mount, and worshippers. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen
a miniature of John, a flying angel, and kneeling figures. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary