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also attributed Additional 16983 and Burney 292 to the same scribe (unpublished notes at the Bodleian Library, Oxford); see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A
also attributed Additional 16983 and Burney 292 to the same scribe (unpublished notes at the Bodleian Library, Oxford); see also John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A
20, and 22; A. C. de la Mare also attributed Additional 16983, and Burney 292 to the same scribe; cf. John W. Bradley, ~A Dictionary of Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A
privatae~ (Utini:Typis Nicolai Schiratti, 1650), pp. 98-99, which included this text. Unidentified owner, 17th century: inscribed '(2)' (f. 2).? Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: perhaps his sale, 6 April 1807, lot 1128,
privatae~ (Utini:Typis Nicolai Schiratti, 1650), pp. 98-99, which included this text. Unidentified owner, 17th century: inscribed '(2)' (f. 2).? Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: perhaps his sale, 6 April 1807, lot 1128,
privatae~ (Utini:Typis Nicolai Schiratti, 1650), pp. 98-99, which included this text. Unidentified owner, 17th century: inscribed '(2)' (f. 2).? Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: perhaps his sale, 6 April 1807, lot 1128,
privatae~ (Utini:Typis Nicolai Schiratti, 1650), pp. 98-99, which included this text. Unidentified owner, 17th century: inscribed '(2)' (f. 2).? Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: perhaps his sale, 6 April 1807, lot 1128,
privatae~ (Utini:Typis Nicolai Schiratti, 1650), pp. 98-99, which included this text. Unidentified owner, 17th century: inscribed '(2)' (f. 2).? Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: perhaps his sale, 6 April 1807, lot 1128,
Saints (in verse), including a life of Moses from the Old Testament History (ff. 155-158) (index Early South English Legendary) John Brand (b. 1744, d. 1806), antiquary and topographer: his book-plate with an inscribed number '669' (inside upper cover).Thomas Astle
for you and from his side produced the water of baptism, and made baptism red by his blood. Elizabeth bore John, Anna bore Mary, the Virgin Mary bore Christ the saviour of the world, who will free you [name] from
Calendar page for January, with marginal scenes, including the water carrier, Aquarius. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts
Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution
(b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton: acquired by him from the library of John Dee in 1625 (see Watson 1966; Wright 1972). Sir Simonds D’Ewes (d. 1722), 3rd baronet and grandson of the
Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin. The manuscript was severely damaged
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in