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Detail of faceted initial 'Q'(uibus) with carnations and moto: 'SUST[I]NIRE'. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known as the Master of the Vatican Homer, worked for various patrons, including
Detail of faceted initial 'D'(e) with a pair of dolphins, and, in the border, a lioness seizing a ram and the arms and mottos of Aragon: BIEN ELIR and SUST[I]NIRE. The manuscript was copied in Florence and illuminated in
that most of John Prise's religious manuscripts came from such houses.Sir John Prise (alias Sion ap Rhys, b. 1502 or 1503, d. 1555): 'John Prise: is Owner of this booke' (f. 2); cf. N. R. Ker, 'Sir John Prise', ~The
that most of John Prise's religious manuscripts came from such houses.Sir John Prise (alias Sion ap Rhys, b. 1502 or 1503, d. 1555): 'John Prise: is Owner of this booke' (f. 2); cf. N. R. Ker, 'Sir John Prise', ~The
their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial John Multon John Multon John Lydgate London England, S. E. (London)
contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Added marginal annotation John Multon John Multon John Lydgate London England, S. E. (London)
inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)
of John sitting on the island of Patmos and writing the first words of his Gospel, ‘In principio’, on a scroll, with an angel, John’s symbol, indicating a Virgin and a Child on the sky, at the beginning of John,
of John sitting on the island of Patmos and writing the first words of his Gospel, ‘In principio’, on a scroll, with an angel, John’s symbol, indicating a Virgin and a Child on the sky, at the beginning of John.
England and a gold portcullis with chains, the heraldic badge of the Beauforts. Includes the prologue by John Purvey, imperfect; the text starts 'Five and twenti bookis', and ends 'descendant in infernum viventes'.Catchwords and bifolium signatures. Some pointing hands in
version (the Surtees Psalter version) Inscription 'Will (?) Bonnell' (f. 1v).John Fauntleroy: inscription in calligraphy (f. 1*); inscription (f. 1); 'John Fauntlero' (f. [101v].Bought by the British Museum in 1836, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis
ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society together with 549 other Arundel manuscripts in 1831. Heraldry and signatures Perhaps John Multon John Multon Thomas Hoccleve, Pseudo-Aristotle London England, S. E. (London)
/ ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society together with 549 other Arundel manuscripts in 1831. Decorated initial Perhaps John Multon John Multon Thomas Hoccleve, Pseudo-Aristotle London England, S. E. (London)
two works by John Lydgate, the Troy Book, a translation from Historia destructionis Troiae of Guido delle Colonne, originally presented by Lydgate to Henry V in 1420, and the Siege of Thebes of 1421-1422.Part 3 includes: John Lydgate, Testament (ff.
the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St
the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St
the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St
the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St
the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St
but 1698?), II, no. 6513 or 6523.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .