• Coloured initials., Fragment of a Missal with antiphons and readings for Quinquagesima and Ephiphany (ther proper order is ff. 85, 1, 2, 86)

second half of the 12th century (ff. 1-2v; 85-86v) 1 large initial in blue with red penwork decoration (f. 2). Large simple initials in green, red, or blue. Musical notation on four-line staves. Fragment of a Missal with antiphons and

• Decorated initial 'C' at the beginning of the first section concerning Augustine, sent to convert the Angles by Gregory the Great and the first archbishop of Canterbury, and other early English ecclesiastics., Gesta pontificum anglorum, imperfect

punctuation.Includes Mynors and Lawrence-Mathers's 'split petal' motif. Large initials in red or blue, with penwork decoration in the same colours (ff. 1, 1v, 46v). Initials initials in red, blue, or green, some with simple penwork decoration. Line-fillers in red. Rubrics

• Decorated initial 'H' at the beginning of the second book chronicling early bishops of all the dioceses and kingdoms of England. Starting in the first column with the red inscription, the prologue gives a framework of the different regions. London, beginning with Erkenwald (675), heads the chapters on early bishops., Gesta pontificum anglorum, imperfect

punctuation.Includes Mynors and Lawrence-Mathers's 'split petal' motif. Large initials in red or blue, with penwork decoration in the same colours (ff. 1, 1v, 46v). Initials initials in red, blue, or green, some with simple penwork decoration. Line-fillers in red. Rubrics

• Decorated initial 'P'(rima) at the beginning of the prologue, identified by the title in red (rubric) at the top of the first column. In the upper margin above is an ownership inscription of the abbey of St Mary of 'Belelanda' (Byland)., Gesta pontificum anglorum, imperfect

punctuation.Includes Mynors and Lawrence-Mathers's 'split petal' motif. Large initials in red or blue, with penwork decoration in the same colours (ff. 1, 1v, 46v). Initials initials in red, blue, or green, some with simple penwork decoration. Line-fillers in red. Rubrics

• Decorated initial 'S'(enior) at the beginning of the commentary on chapter 2 of a letter of John., In epistolas catholicas

and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line

• Decorated initial 'I'(udas) at the beginning of the commentary on Jude., In epistolas catholicas

parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end, and there

• Decorated initial 'I'(acobus) at the beginning of the commentary on the Epistle of the James., In epistolas catholicas

94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,

• Decorated initial 'P'(etrus) at the beginning of the Letters of Peter with marginal notes, including 'On charity', 'In the time Peter went to Rome'., In epistolas catholicas

and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line

• Decorated initial 'S'(ymon) at the beginning of chapter 2 of the letters of Peter., In epistolas catholicas

94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,

• Decorated initial 'Q'(uod) at the beginning of the Letters of John, with the beginnings of paragraphs marked in yellow and a 'q' in the margin, and a marginal marking of 'C1'., In epistolas catholicas

and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line

• Decorated initials., Two leaves of a Breviary

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Added one line of musical notation without text: white mensural notation, France ?, early

• Decorated initials., Two leaves of a noted Missal, with part of the masses for the dead

and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Two leaves of a noted Missal, with part of the masses for the dead

• Decorated initial 'T'(andem) at the beginning of book 2 of In Catilinam and decoration in brown ink added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Decorated initial 'V'(ideo) at the beginning of book 4 of In Catilinam., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Text page with manicula and faces in profile, probably added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Text page with decoration in brown ink probably added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Decorated initial 'S'(i.p.c)' and faces in profile probably added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Decorated initial 'Q'(uoniam) with a winged dragon, foliate motifs and clasps, at the beginning of the second book of Gariopontus, Passionarius Galeni., Passionarius Galeni

131v), one with a dragon (f. 17). 1 initial in red with penwork decoration in blue (f. 1). Numerous smaller initials in red or blue. Rubrics in red. Display script in brown ink for letters following 2 foliate initials (ff.

• Text page with decoration in brown ink added by Petrarch., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),

• Text page., Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v), De amicitia (ff. 110v-120v), imperfect

Munk Olsen 1982. Numerous large initials sometimes with reserved designs, in blue, green, red and/or yellow ink (enclosing a human face on f. 29v). Display script in red and blue. Various works including Orationes in Catilinam, Paradoxa stoicorum (ff. 50-55v),