and explicit of Rhasis' opera, dated 1327. 17 large puzzle initials in red and blue with purple and red pen-flourishing, and extensions decorated in red and blue into the margins (ff. 3, 10, 13v, 22, 28, 34, 37, 43, 49,
at the beginning of Rhasis's Liber Almansoris. 17 large puzzle initials in red and blue with purple and red pen-flourishing, and extensions decorated in red and blue into the margins (ff. 3, 10, 13v, 22, 28, 34, 37, 43, 49,
'E'(go), at the beginning of Nicolai's Antidotarium. 17 large puzzle initials in red and blue with purple and red pen-flourishing, and extensions decorated in red and blue into the margins (ff. 3, 10, 13v, 22, 28, 34, 37, 43, 49,
at the beginning of Rhasis's Liber Almansoris. 17 large puzzle initials in red and blue with purple and red pen-flourishing, and extensions decorated in red and blue into the margins (ff. 3, 10, 13v, 22, 28, 34, 37, 43, 49,
Puzzle initial. 17 large puzzle initials in red and blue with purple and red pen-flourishing, and extensions decorated in red and blue into the margins (ff. 3, 10, 13v, 22, 28, 34, 37, 43, 49, 62v, 74v, 99v, 108v, 110,
'reproduce features of a dignified book hand on the basis of an engrossing hand, with upright and square proportions'. Three-line blue initial with red penwork extending into left margin on initial of each saint's life. First letter of each line
red and placed within a ruled column by scribes 1, 3 and 5 but not by scribes 2 and 4. Blue initials with red penwork flourishing, all by the same artist, eg. ff. 140 vb, 324r-v. Not medieval. A second
Formata, ff. 52v. In red: paraphs, two-line red initials, letters frequently tinted, extended ascenders on top line. One five-line initial, blue and red, f. 1r. Spaces for five-line initials: ff. 23r, 33v, 39v, 43v, 47v. Spaces for two-line initials: ff.