• Miniature of a debate between a clerk and a knight in a garden, before the king of France and the personifications of Spiritual Power in a Franciscan habit, and Temporal Power represented as a queen, with the author sleeping, at the beginning of the text., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of an historiated initial 'A'(postate) of a tonsured ex-cleric, armed with a sword and a shield and his black habit on the ground, facing an abbot., Omne Bonum (Absolucio-Circumcisio)

armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.

• Puzzle initial 'A(nno), with penwork decoration in the form of leaves., Polychronicon to the year 1352, with table

with penwork decoration in the form of leaves. Puzzle initials in red and blue with red and blue penwork decoration extending into the margin. Large initials in blue or red with penwork decoration, often extendinig into the margins, and in

• Historiated initial 'B'(eatus) with king David playing the harp, at the beginning of Psalm 1., Psalter, followed by Canticles, Litany, and Office of the Dead, adapted to the use of Ely

in gold on red and blue grounds, 1 accompanied by a three-sided border added in the 14th century (f. 2). Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing, some decorated with

• Historiated initial 'D'(omine) with a nun/abbess in prayer, at the beginning of Psalm 101., Psalter, followed by Canticles, Litany, and Office of the Dead, adapted to the use of Ely

in gold on red and blue grounds, 1 accompanied by a three-sided border added in the 14th century (f. 2). Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing, some decorated with

• Manuscripts of the West Midlands

begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not

• Manuscripts of the West Midlands

with historiated initial D depicting the Virgin with child Christ. Virgin in blue with a red throne on a gold filigree ground. Bar-frame border with burgundy and blue vine and a gold bar. Interlace at the corner with a cluster

• Manuscripts of the West Midlands

infill of blue penwork. Along the top and left margins are two faint blue lines extending from the capital across the folio and flanked either side by red, and blue penwork motifs forming a two-sided border. A blue trefoil leaf

• Manuscripts of the West Midlands

a border in red and blue. Four-line blue initials with red infill and red penwork flourishing into left margin form other divisions in the text. Further two-line blue initials with red penwork flourishing. Red and blue paraphs. Not medieval. Size:

• Manuscripts of the West Midlands

Blue initials vary from three to eight lines. Catchwords with a blue paraph mark, one boxed in red. Running titles marked by a blue paraph. Rubrics and Latin quotations boxed in brown but ff. 58r-75v boxed in red, and