• Drawing of a Virgin and Child as space-filler in the table of contents of the Cartulary of the Abbey of Malmesbury in Wiltshire., Cartulary of the abbey of Malmesbury in Wiltshire

in Wiltshire. 3 drawings as space-fillers in the table of contents (ff. 4, 4v (x2)). Large and small initials in blue with red (foliate) pen-flourishing. Cadels. Cartulary of the abbey of Malmesbury in Wiltshire Inscriptions, 15th century (f. 220v).Inscription, 16th

• null, Cartulary of the abbey of Malmesbury in Wiltshire

(ff. 4, 4v (x2)). Large and small initials in blue with red (foliate) pen-flourishing. Cadels. Cartulary of the abbey of Malmesbury in Wiltshire Inscriptions, 15th century (f. 220v).Inscription, 16th century: 'Charles Danvers is my name' (f. 7v).James West (b. 1703,

• Historiated initial of two conjoined fish in gold, silver, and colours, and a portrait of Petrarch standing, with a decorated border with floral motifs in gold and colours, with pen-flourishing, and arms., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Decorated initial 'F' in gold and colours, and a decorated border with floral motifs in gold, silver, and colours., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Decorated border with floral motifs with the arms of the Calori of Modena, and a historiated initial 'P'(aucos) with a portrait of Petrarch seated in a garden, reading a book., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Detail of a historiated initial 'P'(aucos) with a portrait of Petrarch seated in a garden, reading a book., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Miniature of two groups of knights in armour fighting., Ab urbe condita (Les decades de Titus Livius)

601v). Small foliate initials in colours and gold with extensions. Initials in gold on blue and rore grounds with penwork decoration in gold. Line-fillers in blue, rose and gold with penwork decoration in white. Ab urbe condita (Les decades de

• Historiated initial 'V'(oi) at the beginning of Petrarch's Il Canzoniere, with an image of Petrarch, shown before a lectern with an open book before him in the bowl of the initial, and a miniature on the right-hand side of the page of Petrarch's muse, Laura, beside a laurel tree, framed with a three-sided border made up of foliate scrolls and gold balls., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Decorated initials 'Q'(uid) and 'U'(nde) with penwork decoration in Seneca's Hercules., Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

Hercules. Large initials unfinished or in brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules

• Historiated initial 'I'(vo) of Petrarch holding a closed book, and a foliate border with gold balls, at the beginning of Petrarch's 264th canzone., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• A diagram of Old Testament genealogy, including Noah, with diagrams of the world and Noah's ark., Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the

• A diagram of the genealogy of the kings of England, including Henry IV, Henry V, Henry VI, Edward IV, Richard III, and Henry VII., Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the

• Text page written by Bartolomeo of San Gimigniano in 1387., Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

Large initials unfinished or in brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules furens

• Coloured initial 'E'(t) in Oedipus., Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

unfinished or in brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules furens (ff. 5-29),

• null, Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50),

• Detail of a miniature of two groups of knights in armour fighting., Ab urbe condita (Les decades de Titus Livius)

601v). Small foliate initials in colours and gold with extensions. Initials in gold on blue and rore grounds with penwork decoration in gold. Line-fillers in blue, rose and gold with penwork decoration in white. Ab urbe condita (Les decades de

• Illuminated puzzle initials 'Q'(ue) and 'D'(ixit), with line flourishing in blue., Leaves from a Book of Hours, containing the text for the Hours of the Virgin as said during Advent (ff. 1-3), the Penitential Psalms (ff. 4-8), Litanies (ff. 8-12), and Office of the Dead (ff. 13-21), Use of Rome

Caroline Zöhl (Paris: Brepols; Bibliothèque nationale de France, 2007), pp. 192-202. 36 initials in gold with infills of blue penwork and blue penwork flourishing scrolling into the margins. Leaves from a Book of Hours, containing the text for the Hours

• Detail of puzzle initial 'G'(aufridus de mandeville comes)., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.

• Pen-flourished initials., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.

• Pen-flourished initials., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.