• Detail of a historiated white vine initial 'M'(agno) with a man in a red robe holding a book., Divinarum Institutionum (ff. 1-164); Eiusdem poema quod inscribitur Phoenix (ff. 164v-166v); De ira Dei (ff. 167-182); De Opificio Dei (ff. 182-196v)

144, 167, 182). 10 smaller initials in gold on pink, blue, and green grounds (ff. 1 (x 3), 3v, 26, 47v, 71v, 96v, 142v, 164v). Numerous plain initials in blue. Divinarum Institutionum (ff. 1-164); Eiusdem poema quod inscribitur Phoenix (ff.

• Decorated initial 'E'(t si nego) and full border with flowers, cornucopias, candelabras, dragon heads and a defaced coat of arms, at the beginning of the text., Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

initial in gold on a blue panel with foliate decoration, combined with a full border with flowers, cornucopias, candelabras, dragon heads and a defaced coat of arms (p. 1). Large initials in gold on a blue panel with foliate decoration

• Full white vine border inhabited by putti and a bird, a miniature of a young man presenting a book to a pope, and a coat of arms in the lower margin., Glossed Liber Sextus Decretalium

mid-size. Rubrics in red. Paraphs in red or blue. Glossed Liber Sextus Decretalium Unidentified arms of two gold fleur de lis on a blue shield bisected by a gold banner with three blue stars (f. 1v ). A monastic library

• Decorated initial 'D'(eo) with foliate decoration extending into the margins., Statuti di Venezia (Statutes of Venice)

Verona). Initial in blue and red ink with foliate decoration including acanthus leaves extending into the margins (f. 2). Numerous small initials in red or blue with flourishing in the other colour. Coloured initials in red or blue. Statuti di

• Three-sided border with a large initial 'E'(ssendo) and an unidentified coat of arms in the lower margin., Forms for letters on various subjects

wreath (f. 2). 10 small plain initials in blue with red penwork decoration or pen-flourishing (ff. 25v, 27v, 28, 29, 44, 46, 47, 49, 50, 52v). Small plain initials in red or blue. Rubrics and marginal notations in red. Capitals

• The left-hand page has a drawing in the form of a hand holding a placard bearing the catchword; the right-hand page has a foliate initial 'P'(rima) at the beginning of Horace's Epistles., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

beginning of Horace's Epistles. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Marginal drawing of a seated old man holding a round red object in his left hand, adjacent to Horace's account of the Seven Ages of Man., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Seven Ages of Man. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Decorated initial 'H'(umano)at the beginning of Horace's Ars poetica., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

of Horace's Ars poetica. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Marginal marks similar to notaries' marks on a former flyleaf., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

on a former flyleaf. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Detail of decorated initial. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• null, Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v, 17v, 19, 21, 26v)

• Illuminated initial 'I'(lle) with white vine decoration of the Ille ego opening of the Aeneid, and in the lower margin, effaced arms within a green wreath., Aeneis (index Aeneid), with the Ille ego opening; Bucolica (index Bucolics, Eclogues), book I, imperfect (ff. 165-178v); Georgica (index Georgics)(ff. 179-214v); verses on the 12 books of Aeneis (f. 216v)

of red, green, and blue, with gold and gold balls (f. 1). Large initials in gold with white vine decoration in colours at the beginning of books. Large initials in gold on coloured grounds, usually of blue, green, and red,

• Detail of marginal drawing., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Detail of marginal drawing. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Detail of a bas-de-page scene of a hooded man showing another man a bar with clothes hanging from it., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Detail of a bas-de-page scene of a messenger kneeling before a monk, while another man holds two horses., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Detail of a bas-de-page scene of a devil approaching a bishop, who lies in his bed., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Detail of a bas-de-page scene of a man kneeling before a bishop., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Detail of a bas-de-page scene of a man with a stick following another on horseback., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Detail of a bas-de-page scene of a monk kneeling before a statue of the Virgin and Child., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Detail of a bas-de-page scene of a monk lamenting before a statue of the Virgin and Child., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink