• Full border with flowers, putti, deer, a medallion of the Triumph of Time, and the historiated initial 'D'(e)., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Full border with flowers, putti, birds, portrait medallions, a medallion of the Triumph of Eternity, and the historiated initial 'D'(apo)., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Decorated initial 'D'(omine) with full border featuring feathering, gold besants and acanthus at the beginning of Matins in the Hours of the Virgin., Book of Hours, Use of Sarum, imperfect

and blue with red pen flourishing (f. 91v). Initials in blue or purple with red pen-flourishing (purple flourishing on f. 14v) or red with purple pen-flourishing. Initials in colours and gold. Small blue or red initials. Line-fillers in blue and/or

• Decorated initial 'S'(epius) with pen-flourishing (2nd half of the 15th century)., Various theological and scholastic treatises and other texts including Turpin's Chronicle (ff. 138-139v)

red or blue with pen-flourishing in the other colour extending into the margins (ff. 25, 37, 48, 59v, 61, 81); puzzle initial on f. 59v). Smaller initials in red with purple, blue, brown or red pen-flourishing, or in blue with

• Puzzle initial 'D'(omino) with penwork decoration, and rubric with cadels at the beginning of the prologue., Liber de virtutibus Philippi Burgundie et Brabancie ducis

f. 83), which may be part of the same watermark. Puzzle initial in red and blue with blue penwork decoration (f. 1). Coloured initials in blue or red. Some cadels. Some ascenders decorated with ink drawings in red and brown

• Decorated initial 'O'(mnibus) with blue penwork extensions., Eighty-eight sermons on the Gospel of John (index Homiliae 88 in S. Johannem)

1 very large initial in red, blue and green with blue penwork extensions (f. 2). 1 large initial in red with floral motifs in green and yellow (f. 5). Plain initials in red or blue, some with penwork decoration (e.g.,

• Decorated initial with 'C'(um cepissent monasteria) at the beginning of the Liber gestorum Barlaam et Josaphat., Life of Saint Alexis (Vita S. Alexis) (imperfect) (f. 1), Barlaam and Josaphat (ff. 2-103v), Life of Saint Brendan the Abbot (Vita S. Brendani Abbatis) (index Navigatio S. Brendani) (ff. 103v-121v), Prognostications for weather and crops (ff. 121v-122), Commentary on Psalm 1 (ff. 122v-123), Forty-one sermons by Peter Comestor (index Sermones) (ff. 124-191), and various other theological texts (ff. 191v-272)

the Life of Saint Brendan.ff. 123-272v: added inscriptions in a later hand 1 large initial in red and blue with red and blue penwork decoration at the beginning of the Life of Saint Brendan (f. 103v). 1 large initial in

• Full border with flowers, birds, putti, portrait medallions, marginal vignette of the Triumph of Fame, and historiated initial 'N'(el)., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Decorated initials 'L' and 'E', each with penwork decoration, in Seneca's Controversiarum excerpta., Controversiarum excerpta, with contemporary marginal and interlinear glosses

Seneca's Controversiarum excerpta. Puzzle, pen-flourished and calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal

• Decorated initials 'A' and 'S', each with penwork decoration, in Seneca's Controversiarum excerpta., Controversiarum excerpta, with contemporary marginal and interlinear glosses

Seneca's Controversiarum excerpta. Puzzle, pen-flourished and calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal

• null, Controversiarum excerpta, with contemporary marginal and interlinear glosses

calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal and interlinear glosses Charles Burney, (b.

• null, Controversiarum excerpta, with contemporary marginal and interlinear glosses

calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal and interlinear glosses Charles Burney, (b.

• null, Controversiarum excerpta, with contemporary marginal and interlinear glosses

calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal and interlinear glosses Charles Burney, (b.

• null, Controversiarum excerpta, with contemporary marginal and interlinear glosses

calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal and interlinear glosses Charles Burney, (b.

• null, Controversiarum excerpta, with contemporary marginal and interlinear glosses

calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal and interlinear glosses Charles Burney, (b.

• null, Controversiarum excerpta, with contemporary marginal and interlinear glosses

calligraphic initials, using red, blue, black, and some gold and silver; incorporating human faces, dragons, foliage, etc. Sometimes similar to those of Jean Miélot, as far as f. 17. Controversiarum excerpta, with contemporary marginal and interlinear glosses Charles Burney, (b.

• Puzzle initial 'C' with foliate penwork decoration and pen-flourishing., Historical and theological miscellany, including excerpts from the Granarium, part II, and a commentary on Sacrobosco's De sphaera (ff. 183-198)

1 partial border and puzzle initial in blue and gold, with penwork flowers (f. 9). 1 puzzle initial in blue and red with foliate penwork decoration and pen-flourishing (f. 183). 3 initials in blue with red foliate or geometric penwork

• null, Alchemical treatises

1 large decorated initial with a full foliate border, in colours and gold (f. 1). Smaller initials in plain red, blue or gold (a few with red pen-flourishing, and 1 on f. 15 with foliate extensions into the margin). Alchemical

• null, Alchemical treatises

1 large decorated initial with a full foliate border, in colours and gold (f. 1). Smaller initials in plain red, blue or gold (a few with red pen-flourishing, and 1 on f. 15 with foliate extensions into the margin). Alchemical

• null, Alchemical treatises

1 large decorated initial with a full foliate border, in colours and gold (f. 1). Smaller initials in plain red, blue or gold (a few with red pen-flourishing, and 1 on f. 15 with foliate extensions into the margin). Alchemical