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fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus
with interlace patterns within full-page rectangular frames of gold and red or colours at the beginning of Gospels, that for John on a purple background (ff. 15, 57, 86, 132). Initials and text entirely in gold. Numbers in red. Gospels,
commentary on chapter 2 of a letter of John. ff. 1, 2 and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a
beginning of the Letters of John, with the beginnings of paragraphs marked in yellow and a 'q' in the margin, and a marginal marking of 'C1'. ff. 1, 2 and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century
collat(us) a d(omi)no theoderico morelli' (f. 46v).The Augustinian priory of Val St.-Martin, Leuven (index Louvain): see the inscription cited above. John Chamberlayne (b. 1666, d. 1723), son of Edward Chamberlayne (b. 1616, d. 1703): his sale of his library conducted
Initial 'U'(num) with foliate and knotwork motifs. Table of contents in hand of scribe (ff. 1-2v). Quire marks. Guide script for rubricator preserved on f. 99v (written alongside outer margin).Some initials are probably unfinished, as they lack contour lines.
rubrics in display uncial capitals in red. Initials occasionally highlighted in red. Homilies on the Evangelists, books 1 and 2 John Gibson (fl. 1720-1726), dealer: sold to Edward Harley on 13 February 1723/4 (Wright and Wright 1966; Wright 1972; Wright
93v, 105v, 116v, 126v, 137v, 149v, 161v). Large plain initials in red or blue. Capitals marked in red. Opera (Works) John Chamberlayne (b. 1666, d. 1723), son of Edward Chamberlayne (b. 1616, d. 1703): his sale, conducted by Daniel Browne,
Text page of the beginning of Gregory the Great' 'De cura pastoral'.i The manuscript includes:Gregory the Great, De cura pastorali (ff. 1-97);Ambrose, Libellus de dignitate sacerdotali (ff. 97v-106);Ambrose, De Helia et ieiunio (ff. 106v-13);Augustine, 'Sermo ad episcopos' (ff. 132-134);The
notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a full border inhabited by birds and flowers, and, in the lower margin, a jewelled cross
15th-century: 'Young' and monogram 'I H' with effaced text (f. 29v). Inscribed several names, 16th-century: 'William Brome' (f. 3), 'Johannes', 'John & framyng', 'Richarde' (f. 4), 'Richardus Bowle' (ff. 8, 26v, 29), 'Thomas / Henry / William / Johannes /
15th-century: 'Young' and monogram 'I H' with effaced text (f. 29v). Inscribed several names, 16th-century: 'William Brome' (f. 3), 'Johannes', 'John & framyng', 'Richarde' (f. 4), 'Richardus Bowle' (ff. 8, 26v, 29), 'Thomas / Henry / William / Johannes /
15th-century: 'Young' and monogram 'I H' with effaced text (f. 29v). Inscribed several names, 16th-century: 'William Brome' (f. 3), 'Johannes', 'John & framyng', 'Richarde' (f. 4), 'Richardus Bowle' (ff. 8, 26v, 29), 'Thomas / Henry / William / Johannes /
15th-century: 'Young' and monogram 'I H' with effaced text (f. 29v). Inscribed several names, 16th-century: 'William Brome' (f. 3), 'Johannes', 'John & framyng', 'Richarde' (f. 4), 'Richardus Bowle' (ff. 8, 26v, 29), 'Thomas / Henry / William / Johannes /
Detail of a historiated initial 'Q'(uoniam) with Augustine in a bishop's mitre holding a bishop's staff and a heart The litany including saints Swithin, Dunstan, Edith, and Etheldreda.Watermark, f. 1, of a quartered coat of arms, similar to ~Monumenta