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The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke has been misbound;
colours and gold. Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke
Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'. Missing leaves at the beginning and after ff. 1, 23, 36, 135, 197, 219.Pericopes arranged according to the ecclesiastical calendar. Headpieces
Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of
Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of
Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of
Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of
Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of
Charles V; also one of the scribes of a Bible Historiale, BL, Royal 19 D II, written for Charles' father, John II. (Rouse and Rouse 2000, I, 270-73). Henri de Trévou Master of the Policratique Master of the Coronation of