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the beginning of the prologue. Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded
royal arms of England. Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by
Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents
Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents
Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents
Detail of a miniature of the meeting of Cyrrus and Hyrcanian. Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal
Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents
Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents
Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents
76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.
(f. 161r-161v) Additional text of the rules for ascertaining the date of the moon's changes, and rhymes concerning Bentley of Cheveley, 16th century (ff. 1v, 158).f. 161 contains a brief fragment of the Oleum Effusum ofRichard Rolle.Denis Beke and
76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.
76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.
76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.
76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.
76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.
76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.
76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.
76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.
76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.