• Text of a prayer mentioning Henry VII; ‘ut rex noster Henricus sep/timus…’., Proper of the Mass for the Immaculate Conception

and its proposed statutes, i.e., the Ordinance of the Confraternity of the Immaculate Conception, with a portrait of Henry VII, his wife, Elizabeth ofYork and their children praying before the image of Anna and Joachim at the Golden Gate

• Miniature of the horoscope diagram for the day in which the world was created, including a world map within an astrological chart and personifications of winds, surrounded by 12 triangles with symbolic scenes representing aspects of life associated with the twelve astrological houses. The world map is a loose copy of the world map printed by Francesco Rosselli in Florence in 1492-3, which was copied from Henricus Martellus map (Additional 15760 f. 69)., Liber de Optimo fato Henrici Eboraci ducis et optimorum ipsius parentum

possible as a New Year Gift for 1503, before the death of Elisabeth ofYork, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed 'De fortuna henrici principis Wallie' (f.

• Calligraphic initial 'L'(iber de optimo fato) at the beginning of William Parron's dedication., Liber de Optimo fato Henrici Eboraci ducis et optimorum ipsius parentum

possible as a New Year Gift for 1503, before the death of Elisabeth ofYork, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed 'De fortuna henrici principis Wallie' (f.

• Historiated initial 'S'(apientissime) of king Henry VII enthroned, with Tudor roses and the royal arms of England in the border., Liber de Optimo fato Henrici Eboraci ducis et optimorum ipsius parentum

possible as a New Year Gift for 1503, before the death of Elisabeth ofYork, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed 'De fortuna henrici principis Wallie' (f.

• Detail of a miniature of Olympias giving birth to Alexander the Great, with two eagles on the roof of the palace (foretelling Alexander's two empires in Europe and Asia). The temple of Diana at Ephesus burns in the background as a portent of Alexander's revenge on the Persians for their invasion of Greece under Xerxes in 480 BC., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Olympias giving birth to Alexander the Great, with two eagles on the roof of the palace (foretelling Alexander's two empires in Europe and Asia). The temple of Diana at Ephesus burns in the background as a portent of Alexander's revenge on the Persians for their invasion of Greece under Xerxes in 480 BC., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Christ as Man of Sorrows., Devotional miscellany

Miniature of Christ as Man of Sorrows. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours

• Historiated initial 'D'(omine) with the dove of the Holy Spirit., Devotional miscellany

initial 'D'(omine) with the dove of the Holy Spirit. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures,

• Miniature of the dead Christ and Mary., Devotional miscellany

Miniature of the dead Christ and Mary. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours

• Miniature of Christ carrying the cross., Devotional miscellany

Miniature of Christ carrying the cross. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and

• Miniature of Anne and the Virgin., Devotional miscellany

Miniature of Anne and the Virgin. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and

• Miniature of the Seven Sorrows of the Virgin., Devotional miscellany

Miniature of the Seven Sorrows of the Virgin. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures, in

• Historiated initial 'C' of the Vision of Ezechiel. On the reverse, two four-line red staves, musical notation and text '...ue sub ipso /…le bant'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

of the Vision of Ezechiel (f. D), Helen (f. G) and a saint burying a man (f. I). On their versos, two four-line red staves, musical notation and text. Cuttings from an Antiphoner (index antiphonar, antiphonal) ?The Benedictine convent

• Historiated initial 'C' of Helen praying before the Cross. On the reverse, two four-line red staves, musical notation and text '...cut docuit /…lo'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

of the Vision of Ezechiel (f. D), Helen (f. G) and a saint burying a man (f. I). On their versos, two four-line red staves, musical notation and text. Cuttings from an Antiphoner (index antiphonar, antiphonal) ?The Benedictine convent

• Historiated initial 'O' of a funeral with a saint burying a man. On the reverse, two four-line red staves, musical notation and text '…meoru[m] neq[ue] /…as de pecca'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

of the Vision of Ezechiel (f. D), Helen (f. G) and a saint burying a man (f. I). On their versos, two four-line red staves, musical notation and text. Cuttings from an Antiphoner (index antiphonar, antiphonal) ?The Benedictine convent

• Detail of a miniature of Imagination taking leave of the knight, with the city of Halle in the background, with a full trompe l'oeil border including a bird and an owl., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail of an historiated initial 'A'(vous) of Henry VII receiving the book from the writer., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail of a marginal painting of flowers and a bear, from the partial trompe l'oeil border., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Text page., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Miniature of Imagination introducing the knight to the three Virtues (or the three aspects of Nobility), with a full trompe l'oeil border, including flowers, birds, and a monkey., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old