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15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ... Incepte Anno domini millesimo cccc^o^ octavo' (f. 15).William Petty
15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ... Incepte Anno domini millesimo cccc^o^ octavo' (f. 15).William Petty
15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ... Incepte Anno domini millesimo cccc^o^ octavo' (f. 15).William Petty
Copenhagen, Det Kongelige Bibliotek, Fragment 1959/123 and former New York, Breslauer Collection (from A.II.14; see William M. Voelkle and Roger S. Wieck, ~The Bernard H. Breslauer Collection of Manuscript Illuminations~ (New York: Pierpont Morgan Library, 1992), cat. no. 91). 1
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
Copenhagen, Det Kongelige Bibliotek, Fragment 1959/123 and former New York, Breslauer Collection (from A.II.14; see William M. Voelkle and Roger S. Wieck, ~The Bernard H. Breslauer Collection of Manuscript Illuminations~ (New York: Pierpont Morgan Library, 1992), cat. no. 91). 1
26, 28-30, 32, 33abc, 34abc; Paris, Musée National du Moyen Âge-Thermes, 22712-22713; Plzen (Czeck Republic), Západoceské Muzeum, inv. 2972; New York, ex-Stern Collection; Washington National Gallery of Art, inv. B 14842.Musical notation. 1 historiated initial 'T' in colours and gold,
(see Meiss 1974, esp. p. 232), started in c. 1410 after the completion of the Belles Heures in 1409 (New York, Cloister's, Acc. No. 54.1.1).This manuscript (summer portion) formed originally a single volume together with Additional 35311 (winter portion). The
(see Meiss 1974, esp. p. 232), started in c. 1410 after the completion of the Belles Heures in 1409 (New York, Cloister's, Acc. No. 54.1.1).This manuscript (summer portion) formed originally a single volume together with Additional 35311 (winter portion). The
Dunstable in 1209-1210, from which he made excerpts: see Lucas 2006.Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. i).The Old Royal
(see Meiss 1974, esp. p. 232), started in c. 1410 after the completion of the Belles Heures in 1409 (New York, Cloister's, Acc. No. 54.1.1).This manuscript (summer portion) formed originally a single volume together with Additional 35311 (winter portion). The
(see Meiss 1974, esp. p. 232), started in c. 1410 after the completion of the Belles Heures in 1409 (New York, Cloister's, Acc. No. 54.1.1).This manuscript (summer portion) formed originally a single volume together with Additional 35311 (winter portion). The
(see Meiss 1974, esp. p. 232), started in c. 1410 after the completion of the Belles Heures in 1409 (New York, Cloister's, Acc. No. 54.1.1).This manuscript (summer portion) formed originally a single volume together with Additional 35311 (winter portion). The
(see Meiss 1974, esp. p. 232), started in c. 1410 after the completion of the Belles Heures in 1409 (New York, Cloister's, Acc. No. 54.1.1).This manuscript (summer portion) formed originally a single volume together with Additional 35311 (winter portion). The
(see Meiss 1974, esp. p. 232), started in c. 1410 after the completion of the Belles Heures in 1409 (New York, Cloister's, Acc. No. 54.1.1).This manuscript (summer portion) formed originally a single volume together with Additional 35311 (winter portion). The