angels either side. Christ's halo in bright orange and blue. Angels with blue wings and rose collars. Bar-frame of miniature in rose with pairs of blue and rose single leaves and blue balls. Monks in white habits. Text: 'O veronicle
infill of blue penwork. Along the top and left margins are two faint blue lines extending from the capital across the folio and flanked either side by red, and blue penwork motifs forming a two-sided border. A blue trefoil leaf
Item 2: red paraphs, two-line blue initials with red penwork; eight-line red initials with mauve penwork (faded), three-line red initials with mauve penwork; initial letter A red and blue nine-line, with red patterned infill and blue dots; red incipits. Item
red initial with blue penwork e.g. f. 148v. F. 27r - five-line red and blue initial O infilled with leaves outlined in red and infilled with blue, penwork surrounding initial in blue and red infilled alternately with blue and red.
brown ink in an early fourteenth-century Anglicana hand. Body height: 2 mm. Two-line blue initials with red penwork flourishing - swirls rather than foliate. Two-line red and blue paraphs. Not medieval. Size: 310 x 190 mm. Covered in dark brown/black
Scribe 2: Item 3 is written in a contemporary business hand. Red paraphs to f. 16v. F. 17r - historiated blue initial A - head of St. Anselm? ff. 17-32v - one-line red initials, red paraphs, two-line red initials, hands
'reproduce features of a dignified book hand on the basis of an engrossing hand, with upright and square proportions'. Three-line blue initial with red penwork extending into left margin on initial of each saint's life. First letter of each line
red and placed within a ruled column by scribes 1, 3 and 5 but not by scribes 2 and 4. Blue initials with red penwork flourishing, all by the same artist, eg. ff. 140 vb, 324r-v. Not medieval. A second
Formata, ff. 52v. In red: paraphs, two-line red initials, letters frequently tinted, extended ascenders on top line. One five-line initial, blue and red, f. 1r. Spaces for five-line initials: ff. 23r, 33v, 39v, 43v, 47v. Spaces for two-line initials: ff.
(Doyle, 1987, pp. 11-12). One-line coloured (normally blue or red) or gold initials, which normally have contrasted and alternating penwork. Quires 32-36, and 41 have one-line gold initials with brown penwork and blue or orange paraphs. Quires 44-47 have violet
1r-10v - blue initial W with red pen-line flourishing. Alternate red and blue paraphs. Artist 2: ff. 11r-56v - eight-line gold initial S boxed in rose ground with blue infill with white decoration. Three-line blue initials. Two-line blue (aqua) initials
begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not
with historiated initial D depicting the Virgin with child Christ. Virgin in blue with a red throne on a gold filigree ground. Bar-frame border with burgundy and blue vine and a gold bar. Interlace at the corner with a cluster
a border in red and blue. Four-line blue initials with red infill and red penwork flourishing into left margin form other divisions in the text. Further two-line blue initials with red penwork flourishing. Red and blue paraphs. Not medieval. Size:
Blue initials vary from three to eight lines. Catchwords with a blue paraph mark, one boxed in red. Running titles marked by a blue paraph. Rubrics and Latin quotations boxed in brown but ff. 58r-75v boxed in red, and
hand. First initial: four-line red Lombardic h with blue patterns, infill of self colour flowers with outlines in blue and boxed in red. Two-line Lombardic red capitals with blue decoration. Red and blue one-line Lombardic capitals. Catchwords in black scrolls
initial page - four-line initial E in blue and red with red penwork and a four-sided border made of red and blue decoration. Seven-line blue initials with red and blue penwork. Three-line blue initials with red penwork decoration. Four-line lombardic
divisions: five-line blue initials with extended red penwork extending into the left margin e.g. ff. 21v; 52v, Dutschke (1989, p. 158) refers to these as 'parted red and blue initials with void leaf infilling and flourished extensions'; two/three-line blue initials
brackets to f. 24r; red titles; red and blue paraphs; top margin 'title' by scribe in black preceded by blue paraph on recto and red paraph on verso. Folio 14v - five-line blue initial T with fine red penwork flourishing
f. 104v. Folio 1r, seven-line initial in blue and gold with foliate infill (gold on blue ground), extending into full border of double stave (pink and blue), with curling foliate decoration in blue and gold (gold almost completely rubbed off