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Detail of 'champ' initials with foliate feathering. Sir Frederic Madden noted that an engraving of 1717 that once formed part of the volume was in 1863 transferred to the Department of Prints (see f. [iii]).Contemporary chapter list (ff. 1-2v).
Large initials and rubrics in display uncial capitals in red. Initials occasionally highlighted in red. Homilies on the Evangelists, books 1 and 2 John Gibson (fl. 1720-1726), dealer: sold to Edward Harley on 13 February 1723/4 (Wright and Wright 1966;
in a subsidiary medallion. ff. [ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a
[ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a full border inhabited by birds
brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red
brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red
brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red
on the Psalms. ae caudatas.f. 1 is a flyleaf with 12th-century text in two columns, with rubrics in red.f. 26 is a parchment leaf with various inscriptions. Large initial with penwork decoration in red, purple and green (f. 2v). Large
foliate decoration. ae caudatas.f. 1 is a flyleaf with 12th-century text in two columns, with rubrics in red.f. 26 is a parchment leaf with various inscriptions. Large initial with penwork decoration in red, purple and green (f. 2v). Large initial
tomb of Oda of Canterbury. ae caudatas.f. 1 is a flyleaf with 12th-century text in two columns, with rubrics in red.f. 26 is a parchment leaf with various inscriptions. Large initial with penwork decoration in red, purple and green (f.
scribes, the second wrote from f. 246v (dissipabit) until the end. 1 large initial in blue and red, with pen-flourishing and penwork decoration including foliate motifs (f. 2). 1 large initial in red with elaborate pen-flourishing including foliate motifs in
scribes, the second wrote from f. 246v (dissipabit) until the end. 1 large initial in blue and red, with pen-flourishing and penwork decoration including foliate motifs (f. 2). 1 large initial in red with elaborate pen-flourishing including foliate motifs in
scribes, the second wrote from f. 246v (dissipabit) until the end. 1 large initial in blue and red, with pen-flourishing and penwork decoration including foliate motifs (f. 2). 1 large initial in red with elaborate pen-flourishing including foliate motifs in
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from