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    British Library Catalogue of Illuminated Manuscripts icon

    British Library Catalogue of Illuminated Manuscripts

    465 results from this resource . Displaying 321 to 340

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    fidelium defunctorum requiescant in pace. Amen/' (f. 1). The Benedictine abbey of St Albans, where it was kept in a cupboard in the choir: inscribed, 'De armariolo in choro', 14th century (f. 1). Robert Gylles, inscribed with his name, 'Robarthus

    and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘13 die Mensis Augusti, A.D. 1724’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

    Puzzle initial 'P'(aulus) at the beginning of 2 Corinthians. 14 large puzzle initials with display scripts and foliate or zoomorphic penwork decoration in blue and red, at the beginning of the Epistles (ff. 6, 24, 43v, 56v, 63v, 69v,

    Added fragment of a legal commentary. 14 large puzzle initials with display scripts and foliate or zoomorphic penwork decoration in blue and red, at the beginning of the Epistles (ff. 6, 24, 43v, 56v, 63v, 69v, 74, 78, 80v,

    Puzzle initial 'P'(aulus) at the beginning of Titus. 14 large puzzle initials with display scripts and foliate or zoomorphic penwork decoration in blue and red, at the beginning of the Epistles (ff. 6, 24, 43v, 56v, 63v, 69v, 74,

    24v, for a list of contents of the composite manuscript; inscribed ‘Seduli(us) & p(ro)sp(er). Glosati’ in a formal script (f. 1, top margin; the Prosper is now Burney 344). Simple red or green initials, some decorated with the other colour

    to the abbey in 1125. The charters show that the original compilation was done early in the reign of Richard 1 (1190-1199), although the booklist may have been copied between c. 1180 and c. 1191, based on the names of

    Cite this page:

    "Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 30 July 2024), https://www.manuscriptsonline.org/search/results?ct=lm&ft=t&kw=1&sdf=1175&sdt=1175&sr=ci&st=320