• Detail of an illuminated initial 'D'(eus) with a bird and a squirrel., Psalter and Hours, Use of Arras

4v-16). 3 full-page miniatures, each divided into four compartments, in colours and gold, preceding the Psalter (ff. 17v, 18v, 19v); 1 probably missing after f. 17. 17 large historiated initials with three-sided borders, in colours and gold, for the psalms,

• Detail of an historiated initial 'B'(eatus) of David playing a harp, and David fighting Goliath., Psalter and Hours, Use of Arras

4v-16). 3 full-page miniatures, each divided into four compartments, in colours and gold, preceding the Psalter (ff. 17v, 18v, 19v); 1 probably missing after f. 17. 17 large historiated initials with three-sided borders, in colours and gold, for the psalms,

• Detail of an archer aiming at a hybrid grotesque, from the right margin of the folio., Psalter and Hours, Use of Arras

4v-16). 3 full-page miniatures, each divided into four compartments, in colours and gold, preceding the Psalter (ff. 17v, 18v, 19v); 1 probably missing after f. 17. 17 large historiated initials with three-sided borders, in colours and gold, for the psalms,

• Detail of a hound chasing a rabbit in the lower border of the folio., Psalter and Hours, Use of Arras

4v-16). 3 full-page miniatures, each divided into four compartments, in colours and gold, preceding the Psalter (ff. 17v, 18v, 19v); 1 probably missing after f. 17. 17 large historiated initials with three-sided borders, in colours and gold, for the psalms,

• Detail of a miniature in four compartments: the Entry of Jesus into Jerusalem [Palm Sunday], Jesus washing the feet of his disciples, and the Last Supper., Psalter and Hours, Use of Arras

4v-16). 3 full-page miniatures, each divided into four compartments, in colours and gold, preceding the Psalter (ff. 17v, 18v, 19v); 1 probably missing after f. 17. 17 large historiated initials with three-sided borders, in colours and gold, for the psalms,

• Detail of the upper section of the miniature, with scenes of the Entry of Jesus into Jerusalem [Palm Sunday]., Psalter and Hours, Use of Arras

4v-16). 3 full-page miniatures, each divided into four compartments, in colours and gold, preceding the Psalter (ff. 17v, 18v, 19v); 1 probably missing after f. 17. 17 large historiated initials with three-sided borders, in colours and gold, for the psalms,

• Detail of the lower section of the miniature, with scenes of Jesus washing the feet of his disciples, and the Last Supper., Psalter and Hours, Use of Arras

4v-16). 3 full-page miniatures, each divided into four compartments, in colours and gold, preceding the Psalter (ff. 17v, 18v, 19v); 1 probably missing after f. 17. 17 large historiated initials with three-sided borders, in colours and gold, for the psalms,

• Miniature divided into two registers, representing the ideal state of the 'Sainte-Abbaye.' The upper register represents the celestial church, and the lower an earthly nunnery; God is at the centre, surrounded by angels, Evangelists' symbols, the Virgin and St Peter; and in the lower register, a Cistercian Abbess, nuns and novices., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Miniature of a mass attended by officials of a nunnery inside a church. On the right, a priest, in chasuble, is at the altar, with a deacon, an abbess with book and crozier, and nuns, including the sacristan pulling the bell ropes. Below, a procession is led by a clerk carrying a processional cross, followed by a priest, and nuns, two with open books, and the abbess with book and crozier., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Detail of six nuns, two with open books, from a miniature of a procession to mass., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Miniature divided in four compartments: a nun confessing to a monk; the nun praying before an image of Christ crowning the Virgin; the nun's vision of Christ; the nun's vision of the Trinity., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Miniature of Christ in Majesty holding a sceptre and an orb, with his hand raised in blessing as the twelve apostles sit around him; below, a group of eight Jews sit on the ground, looking up and at each other. This miniature has been incorrectly bound in this volume in the 19th century; it formely belonged in the other part, La Somme le Roy, now Add. 28162., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Miniature of Christ in Majesty holding a sceptre and an orb, with his hand raised in blessing as the twelve apostles sit around him; below, a group of eight Jews sit on the ground, looking up and at each other. This miniature has been incorrectly bound in this volume in the 19th century; it formely belonged in the other part, La Somme le Roy, now Add. 28162., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Illuminated initial 'L'(a), at the beginning of 'La Sainte Abbaye.', 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Illuminated initial 'V'(ous)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Illuminated initials 'L'(a) and 'L'(a)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Illuminated initials 'Q'(uant) and 'T'(ele)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Illuminated initial 'L'(i)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Illuminated initial 'T'(rois)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century:

• Illuminated initial 'A'., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

inventory of 1463 (see Rouse and Rouse 2000).Inscribed on the otherwise blank rectos of the miniatures, 15th century: 'Jacques' (ff. 1, 6, 52, and Additional 28162, ff. 2*, 3, 4, 5, 6, 7, 8, 9, 10).P. Ponin, priest, 16th century: