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'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
'B', of 8 miniatures in an Italianate style c. 1380-1400 (ff. 34r-v, 39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal
1 large initial in red with simple pen-flourishing in red (f. 120). Small initials in plain red. Speculum humanae salvationis (ends imperfectly) Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector: inscribed 'Bibliotheca Sloaniana Min: 188' (f.
initial. 1 large initial in colours and gold with foliage decoration, damaged (f. 100v). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Paraphs in red or blue.
Drawing of God in Majesty with good and bad angels, and the mouth of hell. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27.
Detail of a drawing of Adam delving and Eve spinning, with children. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of
Detail of a drawing of the Nativity of the Virgin. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in
Drawing of the Presentation of the Virgin. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types in brown ink, most
Detail of a drawing of the marriage of Joseph and Mary. Scott related the format, page design, and iconography of this manuscript to that of Oxford, Corpus Christi College MS 161 and Yale MS 27. Numerous drawings of types