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British Library Catalogue of Illuminated Manuscripts
Detail of marginal drawings. Barker notes that this manuscript has the identical text as Add. 29301. Full or nearly full-page drawings of surgical instruments and procedures, including Zodiac man, plants, or diagrams in brown and red, some of the
Detail of a marginal drawing of a jester and a crossbow. Barker notes that this manuscript has the identical text as Add. 29301. Full or nearly full-page drawings of surgical instruments and procedures, including Zodiac man, plants, or diagrams
Detail of a drawing in the right margin of a surgical procedure. Barker notes that this manuscript has the identical text as Add. 29301. Full or nearly full-page drawings of surgical instruments and procedures, including Zodiac man, plants, or
- Detail of a marginal drawing of a bird., Medical miscellany, including Liber medicinarum (ff. 1-78v)
Detail of a marginal drawing of a bird. Barker notes that this manuscript has the identical text as Add. 29301. Full or nearly full-page drawings of surgical instruments and procedures, including Zodiac man, plants, or diagrams in brown and
Detail of a marginal drawing of a plant. Barker notes that this manuscript has the identical text as Add. 29301. Full or nearly full-page drawings of surgical instruments and procedures, including Zodiac man, plants, or diagrams in brown and
Charles de St Gelays, preceeded by the prologue and heraldic arms supported by two putti. 1 full-page miniature, accompanied by a full al antica border, in colours and gold (f. 2). Small initials in grey on gold grounds. Line-fillers decorated
notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated
notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated
of four compartments: 1. Boccaccio reading a book; 2. Boccaccio presenting the book to Andrea Acciaiuoli and a group of women; 3. A messenger presenting a letter to a lady; 4. A queen with four women playing musical instruments, with
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).
which is known to have been in Rouen by at least 16th century (see Reynolds 1988). Catchwords and bifolium signatures. 1 large miniature in colours and gold, with a full border, at the beginning of the first prologue (f. 2).