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1660, d. 1753), baronet, physician and collector: inscription 'Bibliotheca Sloaniana' (f. 1).Former shelfmark (?) '5Vh' , and crossed out (ff. 1, 1v). Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
of England and lord of Ireland from 1485: added portrait (f. 1); his added arms and Tudor rose emblems, the latter painted over representations of the Garter (ff. 1, 4v, 5, 6, 14v, 16, 21, 26).Presented to the British Museum
not made in her lifetime. Catchwords in ink frames and bifolium signatures. 1 faint drawing in drypoint of a Zodiac Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in
not made in her lifetime. Catchwords in ink frames and bifolium signatures. 1 faint drawing in drypoint of a Zodiac Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in
in 1451, the last two in Verona (see Watson 1979). 1 large initial in gold and colours with interlace combined with a partial decorated border with flowers and heraldry (f. 1). A smaller initial in blue marks the beginning of
with a monkey with fruit, and a deer in a landscape. 1 large inhabited initial, in colours and gold, with a full border incorporating heraldry (f. 266). 8 large initials in colours on a gold ground with foliate marginal extensions
Book 38 of Livy's Ab urbe condita, third decade. 1 large inhabited initial, in colours and gold, with a full border incorporating heraldry (f. 266). 8 large initials in colours on a gold ground with foliate marginal extensions (ff. 298v,
of Livy's Ab urbe condita. 1 large inhabited initial, in colours and gold, with a full border incorporating heraldry (f. 266). 8 large initials in colours on a gold ground with foliate marginal extensions (ff. 298v, 313, 327, 341, 357v,