• Text page., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,

• Text page., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,

• Illuminated initial 'N'(ux)., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,

• Detail of a miniature of Anthony being tormented by demons, with an historiated initial 'A'(nthoine) of Anthony being blessed by another saint, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, and partial foliate borders, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the conversion of Saul (Paul) on the road to Damascus, with an illuminated initial 'L'(a), and partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), and partial foliate borders, at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text page of the Golden Legend (George)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text of the Golden Legend (the Passion)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the conversion of Saul (Paul) on the road to Damascus, with partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Decorated initial 'A'(ltus) at the beginning of a short preface to Terence's Andria, executed in red ink with a brown ink geometric pattern in the bowl., Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment)

Andria, executed in red ink with a brown ink geometric pattern in the bowl. 1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi,

• null, Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment)

1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment) Formerly bound with Burney 137, 272, and 352, which have similar

• Illuminated initials 'T'(his) and 'R'(irste) at the beginning of a treatise on the rights of the Marshall during wartime., One gathering of a treatise of rights of the Marshall in wartime

during wartime. Large initials in gold on blue and pink backgrounds with white or black filigree (f. 1). Paraphs in blue. LIne-fillers in blue. Rubrics in red. One gathering of a treatise of rights of the Marshall in wartime The

• White vine initial 'I'(NTER) at the beginning of the text. In the lower margin, wreath enclosing an unidentified coat of arms., Historia Alexandri Magni, imperfect

gold and colours at the beginning of each book (ff. 1, 9v, 26, 46v, 57v, 70v, 80v). Wreath enclosing an unidentified coat of arms in the lower border (f. 1). Historia Alexandri Magni, imperfect Written by Franciscus Caballus Montefortinas, 1464:

• Initial 'N'(aso) and unidentified arms in the lower margin., Epistulae ex Ponto

has been torn off at the top of f. 1.1 large initial in gold on a blue ground with an unidentified coat of arms in the lower margin (f. 1). 3 large gold initials on coloured panels with simple

• Decorated initial 'C'(um ad instruendam)., On Stratagems, in 4 books (index Strategematica, libri 4)

1463' (f. 43).ff. 1*, 44 are fragments from a manuscript with text in Gothic script with 1 initial in red with blue pen-flourishing and 1 in blue with red pen-flourishing (f. 1*).The Harley Collection, formed by Robert Harley (b. 1661,

• Flourished initial 'P'(ort), at the beginning of the Vita et passio beati Thomae [Becket]., Quadrilogus's Vita et passio beati Thomae [Becket] (ff. 1-72); Testamenta duodecim patriarcharum (ff. 73-97v)

the beginning of the Vita et passio beati Thomae [Becket]. Ff. 1-72: 1 large puzzle initial in red and blue with pen-flourishing in blue and red (f. 1). Smaller initials in red with blue pen-flourishing or penwork decoration (blue turned

• Illuminated initial 'P'(hobe) with white vine stem decoration at the beginning of De medicina., Various poems, including Columella's De re rustica (ff. 1-9); Serenus's Liber medicinali (ff. 9-30v); Ibis (ff. 65-77); Nux (f. 79v-83), Medicamina faciei femineae; Aetna (ff. 52-64) (index Appendix Vergiliana)

in gold, with white vine stem decoration in colours (ff. 1, 9, 32, 52, 65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown,